After telling Gina why she was so upset, Eva remembers what they had on their schedule for the morning. A trip to a casa famiglia, a group home for disadvantaged or disabled people, often kids with no family support.

Eleonora introduces us to her two horses. She tells the story of how they came to be part of her life.

The next step is to go to the cemetery. Anna is being her bossy self, and Orazio is trying to resist.

We get a look at the tomb, in terracotta, of a noblewoman. The clay allows for detail, where tombs in Macco do not. We then go to Rome, to the most important Etruscan museum, where we see once again, what an important role the afterlife played in the lives (and deaths) of the Etruscans.

The wedding is beginning, and the bride is ecstatic, but what about the singer everyone is counting on?

After what Dante saw, he has questions. Eva can't provide answers. The tension can be cut with a knife!

Eleonora tells us about how she combines her love for animals, especially horses, with a path to a career.

After Anna and Orazio visit the fertility seat in Naples, they decide to stop in a bar for a cup of coffee.

We're still in Tarquinia and we visit the tomb of Aninas. We gain some insight into the alphabet the Etruscans used, allowing us to recognize some names, but unfortunately, they didn't leave much in the way of writings to allow us to know much more.

It's not easy convincing donna Olimpia who is no longer of sound mind, but Nora gets an idea. Meanwhile, just about everything is ready for Azzurra's wedding.

Eva reads the message, which, of course is from Max. She has no choice but to meet up with him. Her life just got even more complicated than it was already!

Renzo and Camilla go out to dinner to celebrate their tenth anniversary. However, among the other guests are people they recognize...

The pranotherapist assumes Anna is the one in need of therapy. After clarifying, she tries to tell the pranotherapist how to do his job.

This magnificent, colorful tomb, dating to twenty-five hundred years ago, depicts a banquet in honor of the deceased, who is clearly a young man. It's a virtual time capsule.

Poor Azzurra doesn't really know what she wants, and she spies another dress she likes, thanks to Ugo's cleverness. But the wedding planners still have huge problems to solve.