The police question Orazio and naturally, the pig's foot is at the center of attention.

With a look at one of the greatest Etruscan masterpieces in the Villa Giulia museum, we take our leave of Rome to journey to the Umbrian city of Assisi, or, as it was called in Roman times, Assisium.

Spartacus gives Ugo some advice, and Ugo takes him up on it, with some modifications. Nora seems extremely focused on drumming up clients.

Camilla discovers something pretty bizarre going on in her class. Later, she is thinking of backing out of the class reunion but her friend gives her a good reason for going.

Eva has no choice but to meet up with Max. Her state of mind as she cycles through the narrow streets to the meeting might be described in Italian with the Italian adverb malincuore (with a heavy heart). Luckily she is not alone to face this challenge.

Horses are large animals, but they are delicate, too. Keeping them healthy and in good condition requires a series of essential measures of different kinds. Eleonora takes us through some of them.

The guardians are pretty engrossed in their card game, but they hear voices and call headquarters. Orazio is rather scared.

The Etruscans were influenced by other ethnic groups, particularly the Greeks. On display in the National Etruscan Museum of Villa Giulia, we find evidence of this in the terracotta objects and fine gold jewelry and precious objects dating from the period.

Ugo and Nora can breathe easy regarding this wedding. And Ugo sends a strong signal to Nora about how he feels about her. But at a certain point, he has to explain how he found the singer!

As usual, Camilla is running late for school, and the family quickly discusses the day's logistics. At school, Camilla wants to start right in on an oral quiz but gets no volunteers.

After telling Gina why she was so upset, Eva remembers what they had on their schedule for the morning. A trip to a casa famiglia, a group home for disadvantaged or disabled people, often kids with no family support.

Eleonora introduces us to her two horses. She tells the story of how they came to be part of her life.

The next step is to go to the cemetery. Anna is being her bossy self, and Orazio is trying to resist.

We get a look at the tomb, in terracotta, of a noblewoman. The clay allows for detail, where tombs in Macco do not. We then go to Rome, to the most important Etruscan museum, where we see once again, what an important role the afterlife played in the lives (and deaths) of the Etruscans.

The wedding is beginning, and the bride is ecstatic, but what about the singer everyone is counting on?