Marcuccio is in the hospital, and as planned, zia Caterina goes to see him. But all he will come out with are lines from one of Leopardi's poems. Meanwhile Romei is anxious to have the letters he considers his own, but things aren't so simple.

Back at her aunt's house, Lara deals with Giulia when she comes back, and hashes things over with her aunt in the morning. Meanwhile Manara is once again moving his desk around, while discussing both the case and Giulia Chiamparani with Toscani, who's curious as to why Giulia disappeared so quickly.

In the eyes of Manara's boss, Giulia is the heroine, having recovered the letters, and Manara is a failure for having let the murderer escape from under his nose. Now Giulia's work is finished and she's just about ready to go back to Rome, but she still has some unfinished business... business she doesn't want Lara's help with.

Luca and Giulia are finally alone, in a car, at night, in a typical spot for lovers. Hmm...

Diego is very knowledgeable about his collection of women's shoes and handbags, all made in Tuscany, exclusively in genuine leather. He proposes models that are beautifully fashionable, but are at the same time comfortable enough to wear every day.

After a fruitless search in the rain, Luca and Brigadiere head home, but all of a sudden the dog starts sniffing around a hunter's shack, and sure enough, Luca discovers Marcuccio hiding inside, but the big man is not talking. And if that weren't enough, Manara's boss continues to put pressure on him and his team to bring in the perpetrator.

Anna and Marika take you to a special shoe store that sells only Italian footwear, and only women's shoes.

Marcuccio has gotten hungry, and so he's gone to see the only person he could trust, Lara's zia Caterina. But by the time anyone could come to help her, he'd disappeared again, leaving his jacket behind. Lara's dog, Brigadiere, gets a good whiff and goes off with Luca to look for Marcuccio. A storm has come up, making things more difficult.

Lara and Luca go to interrogate a suspect whose only alibi for the night of the murder depends on Marcuccio, who is still missing. Meanwhile, Giulia intercepts a cryptic phone call.

Amidst murder and insomnia, Manara is attempting to eat his croissant during the autopsy in the morgue. And Ginevra... well, she has an infallible solution to help him get back to normal.

This is the last segment of a series of interviews focused on one of the greatest film directors of all time. Fellini, in saying he doesn't have much to say, says it all.

Anna and Marika tell us the story of Rosina, who in the midst of deception and intrigue, ends up getting married. But to whom? The one she loves, or the one who wants her at all costs?

The police intercept a phone call between Marcuccio and his mother, but it's too short to trace. Marcuccio recites the first line of Leopardi's most famous poem, "L'infinito" [The Infinite] to his mother. Giulia spends the night at Lara's and they watch the movie of the famous party. The next day Lara has some interesting news for Manara, from both Giulia and from her aunt!

Fellini talks about Rimini, his hometown, and how his memories, dreams and fantasies of that place are connected to his films.

Lara and Giulia have some catching up to do, but how candid are they being with each other? Do we detect a bit of jealousy? Meanwhile Commissioner Manara has to deal with both Romei, the chicken guy, and his buxom, brassy wife, who keeps trying to catch Luca's eye.