The first screening of the Gold Rimmed Glasses was a success. Even Bassani, who had written the novel the film was based upon, had good things to say. Inti and her mother comment on the relationship between Vera and Giuliano.

Moscati can't find Aniello in the hospital and discovers he had run off. Moscati goes out looking for him.

The pressure is on Palma, and consequently on his team, to solve the murder alla svelta (quickly), but they haven't gotten very far. They are still in alto mare (a long way away).

If two important works of Piero's survived the bombings during World War II, it was due to the efforts of art historians and restorers such as Ugo Procacci. In addition to the Resurrection, a wonderful painting of the Virgin Mary as she was expecting a child, "La Madonna del Parto" was saved and is now housed in the museum in Monterchi, Arezzo.

After filming Marco Polo in China, where they made lots of friends, they return to Italy to film Gli Occhiali d'Oro (English title: The Gold Rimmed Glasses). Many famous actors took part in that film, all of them beloved by Vera and Giuliano.

Rita Levi Montalcini was a strong proponent of education and instruction as the means to gain freedom. She was also an example of it. This segment describes a visit to women in prison, and the obstacles Montalcini had to face, as a woman and as a Jew, during the Nazi-Fascist regime.

Giorgio goes to see Cloe perform, but afterwards, he makes an important decision. Giuseppe finally finds Aniello, who is not doing well at all.

Lojacono has a conversation with Iolanda Russo and learns some new details. Later he has a meeting with his superiors.

Inti, who was the 9-year-old grandson of Giuliano and Vera, went to see them as they were filming in China. They put him to work and the experience had a huge influence on him.

We get a glimpse of Francesco's home life in this segment. He has a lot of pent-up anger and doesn't have it very well under control. Lojacono and Aragona are following Miss Russo and have a little conversation about patience.

Montaldo tells how the film about Marco Polo came about. It was shot on three different continents.

Rita Levi Montalcini talks about what, as a little girl, she wanted to be when she grew up. One of her main goals was to help women, especially ones from poor countries, become what they were meant to become.

Moscati risks his life to save some of the patients from the hospital. It took courage and patience.

Forensics recovers an email that opens up some new avenues in the investigation. Lojacono and Aragona go see the notary at his workplace. Di Nardo's parents want to meet her boyfriend.

What works in the relationship between Vera and Giuliano is partly the fact that they complement each other, like yin and yang. They talk about a biographical movie they made about Giordano Bruno, a 16th-century Italian philosopher and cosmological theorist, with Gian Maria Volonté.