Daniela continues with conditional verbs. This time she focuses on the key verbs: essere [to be], avere [to have], stare [to stay], rimanere [to remain], and dare [to give].

In this segment, we see a flashback to Iolanda's murder. She was an honest woman through and through. And it looks like Manara confirms his resignation, now that the case has been solved.

Minivip in a dream has superhero powers, while his brother Supervip is powerless. However, it isn't all that it's cracked up to be.

The narrator reads some moving passages from the letters of John Keats and Fanny Brawne. Giacomo Leopardi, the Italian poet and near contemporary to Keats and Shelley, also lived in Piazza di Spagna.

All at once, Paolo has a whole lot on his plate. If he thought he already had problems, the worst is yet to come.

What would the police do without Lara's aunt Caterina? She knows just where to look to get precious information about the case.

Marika shows us her balcony, highlighting its utilitarian and pleasure sides. Washing machines are often placed on balconies. This is because Rome's climate is mild and there is little danger of frozen pipes.

Camilla arrives at school and finds a very angry looking dog.

Anna shows the baby changing area that she's set up in her apartment. She talks about many baby care products, and the segment provides a great lesson in diminutives.

Saint Rosalia (1130–1166), recognized by her crown of roses, is Palermo's patron saint. The video shows the July 14 parade in honor of the saint, and a young man who credits his cure from a grave illness to Saint Rosalia.

Daniela's fourth segment on the present conditional tense covers the important, and irregular, verbs: dovere, potere, sapere, vedere, & avere.

Luca's mind is going full speed ahead, and this leads him to invite Lara and her aunt to the movies. The outing ends up revealing an extremely delicate and awkward situation, but an important one for the case.

Minivip is none too happy when he meets his namesake, a dog.

The segment touches on Byron and Shelley, but is mostly about Keats and his time in Rome. It also includes part of a beautiful love letter to Fanny Brawne. The narrator speaks of Keats living on the second floor. The Italian way of counting stories is to call the first floor, the ground floor, and the numbering starts above.

Events have awakened a true transformation on Paolo's part, but even with all his good intentions, he's running up against some brick walls regarding Natoli.