Before the prince leaves the gathering in a very melancholy mood, he tells Mimmo about a job. Mimmo gets the job, but has a hard time satisfying the director (who is a bit eccentric, it must be said). Franca comes to the theater to see Mimmo at a certain point, but it might not have been the right moment.

At their meeting with the head of Curci music publishers in Milan, Riccardo and Mimmo dare to mention the word "contract." Once back in Rome, the Prince shows up at the artists' circle where Mimmo is having dinner.

Franca's career is going nicely, and Mimmo decides that he'll do whatever they want him to: Sing, dance, act...

For the radio show, Mimmo sings a very sad song, based on a story he had read in the newspaper. Note: The images of the event may be disturbing. This broadcast was one of the last Mimmo and Franca would be doing, and they talk about the immediate future as they walk home.

Franca was very skeptical about doing the broadcast with Mimmo, but ends up on the radio with him. There's one word to describe them: bravissimi! Remembering that these performances were live, not taped makes it all the more exciting to watch.

This is the final installment of the documentary dedicated to the Taviani brothers. It concludes as they do some location scouting in the marvelous old city of Montepulciano for Maraviglioso Boccaccio (Wondrous Boccaccio), a 2015 film. Vittorio Taviani died in 2015 at the age of 88, and Paolo is 89 and still making films.

Domenico can't wait to tell Franca about doing the show, but she won't take his calls, so he goes to see her in person.

It's not often that two people, let alone brothers, can work together in perfect harmony. But artists who have worked with the Taviani brothers say they came very close. Paolo and Vittoio knew what they wanted and they knew how they wanted to obtain it, down to the letter.

Domenico gets a big chance to sing for a celebrity, but it doesn't go the way he imagines. Palmieri keeps coming up with ideas for him, however.

The Taviani brothers reveal some tricks used during the filming of The Night of San Lorenzo and tell us how they managed to combine a particular sequence of the film with the cornerstone of Greek literature, The Iliad.

Study a foreign language with Yabla.

Domenico isn't very adept at keeping his emotions, including jealousy, in check, and at the dinner party, he allows them to get the better of him. But there are all kinds of people at that party, and they aren't all against him.

The Taviani brothers were adolescents during World War II, and talk about how tense it was growing up with the Germans and fascists so close by. A woman at a bar gives them directions to find one of the locations for filming The Night of the Shooting Stars.

Domenico keeps telling his story, fast-forwarding a bit, and focuses on when he got a new place to live with his friends helping him, and meeting up with Franca again.

We learn about the ideas behind the movies, Father and Master and The Night of the Shooting Stars, and how music played a major role in both movies.