Renzo and Camilla go out to dinner to celebrate their tenth anniversary. However, among the other guests are people they recognize...

Eva reads the message, which, of course is from Max. She has no choice but to meet up with him. Her life just got even more complicated than it was already!

It's not easy convincing donna Olimpia who is no longer of sound mind, but Nora gets an idea. Meanwhile, just about everything is ready for Azzurra's wedding.

We're still in Tarquinia and we visit the tomb of Aninas. We gain some insight into the alphabet the Etruscans used, allowing us to recognize some names, but unfortunately, they didn't leave much in the way of writings to allow us to know much more.

After Anna and Orazio visit the fertility seat in Naples, they decide to stop in a bar for a cup of coffee.

San Miniato is where the Taviani brothers were born, but it was also the birthplace of their careers in filmmaking. Their first was a documentary and right away they had some problems with censorship.

As you shall see, Italian has a range of salutations at the beginning of formal or business letters, where various adjectives are used in place of "dear." Not only that! They also have curious abbreviations to be familiar with.

Eleonora tells us about how she combines her love for animals, especially horses, with a path to a career.

After what Dante saw, he has questions. Eva can't provide answers. The tension can be cut with a knife!

The wedding is beginning, and the bride is ecstatic, but what about the singer everyone is counting on?

We get a look at the tomb, in terracotta, of a noblewoman. The clay allows for detail, where tombs in Macco do not. We then go to Rome, to the most important Etruscan museum, where we see once again, what an important role the afterlife played in the lives (and deaths) of the Etruscans.

The next step is to go to the cemetery. Anna is being her bossy self, and Orazio is trying to resist.

Actor Giulio Brogi talks about how his role in The Subversives mirrored his character at the time. The Taviani brothers describe how they found another actor in that film, young Lucio Dalla, the famous (and now deceased) singer-songwriter.

What do we call the people we are writing to if they are professionals? Daniela gives us some answers. And she gives us some practical examples about how to actually begin writing the body of the letter.

Eleonora introduces us to her two horses. She tells the story of how they came to be part of her life.