Giuseppe Pitrè was an ethnologist who collected documents pertaining to Sicily and its culture and traditions. His work is the basis for this documentary, which unites live footage, drawings, and archival documents.

Jacopo is not as alone as he thought. And you'll never guess who he meets up with!

There's lots of tension between Luca and Lara, plus Luca can't quite believe he is going to be a father.

Both Paolo and Natoli are trying to make the best of the situation. This time Natoli needs some clothes. Then Paolo goes to the office and receives some news he has trouble handling.

Marika's lesson concentrates on how the pronouns: mi [me], ti [you], vi [you, plural] are used in conjunction with the particle "ci."

Anna speaks about her prenatal and postpartum experience with the Italian National Health Service. She also discusses the five-month maternity leave that working women receive.

Jacopo has a real time crunch on his hands, especially once he hears of a wedding taking place at that very moment.

Lara and Luca question the people close to Spada, but they are no closer to having a lead. And they don't get much closer to talking over their personal troubles, either.

Pregare (to beg, to ask) and sapere (to know) are the last two verbs on Daniela's list of verbs that take the preposition di (of) and a verb in the infinitive.

In this episode, we start seeing a different side of Paolo, and a different side of Natoli, too, as their challenges multiply.

This segment shows us the Abbey of Saints Felix and Maurus as well as Norcia, the birthplace of Saint Benedict. Little remains of the cathedral after the earthquake in 2016. Here are some photos of what has remained.

Talk about frustrating! Why does Luca keep putting his foot in his mouth? And this time it's a whopper!

Marika covers with the pronominal particle ci, this time providing examples as to how it is used with the direct pronouns: lo, la, li, and le.

We're still in the area of the Nera river valley, and there are plenty more beautiful sights to see.

The song dates to 1991, when Lorenzo Jovannoti was still working as a deejay.