Marco shows up with an interesting proposition for Guia. Pino gets dressed up like a priest, as he likes to do, and has an interesting conversation with Carola.

The worst-case scenario comes true, even though Nora and Ugo do their very, very best, along with Spartacus as the server and Iside in the kitchen. Who knows if that wedding will ever happen.

The card that came with the flowers for Lara contained an important message. One of the people Luca wants to question comes to the police station of his own accord.

In Italian, there's not only a past participle, as in English, there is also a present participle. Many nouns and adjectives we use every day come from this tense, as well as from the past participle.

Eva ruminates on her past life and gets down to work on the task at hand. Meanwhile, Lola and Gina are waiting for the choir concert to start.

In honor of Mother's Day, celebrated in May in Italy, here's a classic Italian song, Mamma, performed by Luciano Pavarotti.

We learn a great deal about the third structure at the Piazza dei Miracoli in Pisa: the Baptistery. We learn about wonders we can see and wonders we can't see.

Chief Berardi goes to talk to the Russian girl at the hospital. After hearing her story, he has Camilla join them, so she can tell her side of the story.

Both Renzo and Guia have to change their plans and don't know how to tell each other. Carola gives Guia a reality check, and Toni gives up some important information.

The guests arrive, but who knew there would be so many? It turns out that Matì's family is rather extended as well as colorful. And it becomes clear that the families have very little in common.

Daniela explains what are called "indefinite modes." They are indefinite because they don't refer directly to a person or object. They commonly occur in a subordinate clause, and we need the context of the main clause to give us that information. There are three forms: the infinitive, the past participle, and the gerund.

Eva has a lot weighing on her, but her state of mind really takes a nosedive when, in town, she sees Dante from afar. Meanwhile, she still has to deal with getting Andreina in shape for the gala.

We go inside the Pisa Cathedral and see how marvelous it is, from the granite columns to the majestic pulpit designed by Giovanni Pisano, which, miraculously, survived the fire of 1595.

Camilla goes to the police station and has to wait for Gaetano in his office. He is very mad at her, but she clears up some things that could make a big difference in the case.

Guia couldn't have imagined what was in store for her after a ride with Renzo. While they work, they tell each other about their respective love lives.