Amed is obsessed with the idea of eating the right kind of food to fight cancer, but he goes a little too far.

Amed predicts Luigi's future, and Luigi has some visions. This segment reveals the meaning of the title of the show.

Luigi talks about getting old. Marcello talks about missing his restaurant and the work he loves.

Luigi tells us the fourth thing that demonstrates that a man has gotten old.

Riccardo's mother has made him all his favorite foods, but can't grasp that he is using a feeding tube. Luigi, on the other hand, is feeling better and is greatly appreciating being able to eat real food.

Marika takes a small poll of Italians to find out how they spend Christmas Eve, what they eat, and, above all, whether or not they follow particular traditions.

Office gossip, the Italian way. Marika and Anna dish about the boss, the boss's nephew, the boss's nephew with the wife of the old boss, a temp--all while pretending to work.

Here's how to plan a birthday party in Italian. In this case, it's for a piglet turning eight.

In Italy, August is the warmest month, and most Italians try to go on vacation for at least part of the month. The most important vacation day is August 15th, called Ferragosto.

People often wonder where the name ferragosto comes from, as well as the holiday itself. Marika fills us in with its fascinating history and evolution.

Me Ne Frego [I don't give a damn], was one of the mottoes of Fascism, coming originally from the writings of Gabriele d'Annunzio and employed by storm troops during World War One as a war cry for courage and daring, with the meaning, "I don't mind dying for freedom." The motto gives the title to this documentary about the influences of Italian Fascism on the Italian language. It was produced by the Istituto Luce Cinecittà, with materials from the historical Luce archives, and narrates the obscure attempt by the Fascist regime to create a new and unique language, a new “Italian” that fit the dogma of the dictatorship.

Mussolini forbade the use of dialects and the minority languages that were spoken in the regions bordering the countries to the north in favor of one language for all. Italians were bombarded by fascist propaganda and Mussolini's very frequent speeches.

In World War I, Italians who up until then had spoken their regional dialects, found themselves fighting side by side against a common enemy. But Mussolini was interested in fighting the internal enemy.

The segment looks at how Mussolini patterned his fiercely nationalist rhetoric after poet Gabriele D'Annunzio, while harkening back to the glory of Imperial Rome. The song in the segment refers to Balilla, an 18th century Genoese boy. In 1746, Balilla threw a stone at an Austrian official of the occupying Hapsburg Empire, which led to the War of the Austrian Succession.

A great deal of effort went into purging foreign words from the Italian language under the fascist regime. Newspapers, magazines, and book publishers were at the forefront of the effort and were tasked with finding Italian replacements for foreign words and expressions. Many fascist-era terms have fallen by the wayside, but some succeeded and are still in use today. As an example, the word manifesto [poster] was successfully introduced to replace the French term affiche.