Paolo is worried about the future and dissatisfied with his job at Cosider. Maura is by his side and together they decide to go to Rome to understand how things will evolve.

Paolo enjoys great success during his performances in Rome. The newspapers praise the brilliance of his comedy and, finally, he decides that the time has come to resign from Cosider.

While Paolo prepares to go on stage, he is approached by a well-known television writer who presents him with an interesting proposal, assuring him that Maurizio Costanzo is also in favor. Back in Genoa, Paolo rushes to look for the children, but discovers they are at the carnival rides.

Paolo goes to visit his mother, who talks to him about her concerns for his future, which in her opinion offers no guarantees. Paolo works in television and, while friends and acquaintances seem to consider him capable, there is one person who doesn't think the same way…

Everyone follows Paolo on television and is struck by his skill. At dawn, however, while resting in his hotel room, he is awakened by a phone call from Faber who tells him bad news.

Paolo is so absorbed in his career that constant bickering arises at home. On television, his character Fracchia decides to ask for a raise that he rightfully deserves, but the meeting with the director turns into a decidedly embarrassing scene.

Here is the epilogue of Paolo Villaggio's story: between surreal comedy and workplace satire, from the servile and mistreated Fracchia to the triumph of Fantozzi. A tale made of absurd jokes and dialogues that brings unforgettable characters to life and leaves a deep mark on Italian cinema.

Caravaggio is a TV mini-series based on the life of the Italian painter Michelangelo Merisi da Caravaggio. It opens in 1577 when the painter was 5 years old. The plague had just hit and people who were still alive were burning their household possessions.

Some years have passed, and Michele's widowed mother has had some difficult decisions to make regarding her children. One of these is to send 12-year-old Michele to Milan to be an apprentice at the workshop of the well-known artist, Simone Peterzano. Michele has no desire to leave home and family.

Michele has a rough time of it in Master Simone's workshop. It's clear, however, that he has talent. A Knight of Malta comes into the workshop to have a look.

Michele manages to find a home for his painting, and receives something in exchange. Still at Maestro Simone's workshop, he grows up into a man and ends up trying to defend a young apprentice from being abused as he had been.

Michele goes back home after his mother dies and there, he spends some time with his childhood friend, Costanza Colonna. He tells her about his plans to go to Rome, the artistic center of the universe.

Once in Rome, Caravaggio looks for work in the studios of 2 Italian painters who were well-known at the time. Nobody seems very interested in his work.

Caravaggio falls ill and makes the acquaintance of Mario Minniti who becomes a friend to him. He takes him to the hospital of the church of Santa Maria della Consolazione in Rome.

Caravaggio meets Onorio Longhi, Italian architect and poet, and a bit of a bohemian. Longhi takes him to meet his friend Cesare D'Arpino, who is looking for assistants in his workshop.