Manara visits the dead professor's daughter and it becomes ever clearer to Manara that the mother's alibi won't hold.

Lara Rubino visits Lenni's villa and finds that his wife has broken in. Manara uses his considerable charm on a vet.

The autopsy shows that the victim couldn't have pulled the trigger, but Manara's boss insists on suicide. Manara and his team have other ideas.

From the gardener, Michele, we learn that the dead professor was not well liked. Rubino lets us know about her soured friendship with Manara at the police academy.

Manara arrives at his hotel, and the clerk is curt with him until she learns he's the new commissioner. Manara and the deceased are the topics discussed by Rubino and her aunt.

Rubino, the new inspector, can't stand being in the same room with Manara. And when he doesn't even remember why, she really gets angry. But then they get some interesting news from the morgue...

Commissioner Manara meets up with Lara Rubino, his old classmate from the police academy. She's less than happy to see him and slaps him right across the face.

Manara meets his new boss and from the outset there's tension. We learn that Manara was transferred to his new post because of an affair between Manara and the wife of his former boss.

Commissioner Manara arrives on the scene of the supposed suicide. He questions a witness, and talks to the victim's doctor, and to the medical examiner, who turns out to be an attractive woman who has no problem with shyness.

Il Commissario Manara (Inspector Manara) is an Italian TV series set in the Maremma (southern Tuscany), which centers on Luca Manara, an unorthodox and highly seductive, newly arrived police inspector, played by Guido Caprino.

Baciami ancora (Kiss Me Again) is the sequel to L’ultimo bacio (The Last Kiss), directed by Muccino and released ten years ago. It follows the same group of friends as they face infidelity, midlife crises, new love...

After the concert, the students' families find themselves facing separations, changes, and difficult truths to accept. Rosario's refusal to leave Milan, Matteo's pain over his mother's absence, and the adults' attempts to protect him bring to the surface tensions, vulnerabilities, and a deep need for affection and stability.

The discovery of the body of an unidentified man, called "Quantunque," sets off a complex investigation full of questions. While the police search for new leads, Anna faces the pain of loss and the desire to know the truth about the victim and his tragic fate.

During the interrogation of the Nubila couple, the circumstances that led to Lara's death come to light. The investigating team can't understand why the baby would have been abandoned, but that, too, becomes clear. All in all, it's very disturbing to everyone in different ways.

The evening is a huge success, but not everyone is elated. Marioni has come to the conclusion that his daughter's death was his fault, Matteo's uncle has a somewhat disturbing conversation with one of Matteo's schoolmates, and Domenico tries to talk to Barbara.