Imma manages to get a good amount of information from Lolita about Donata's relationship with Lombardi.

Ranuccio and Michele have a real duel. It's bloody and violent.

It's time for the students to read their essays about living in another time. But Joy refuses. Nobody can figure her out.

Camilla's mom tells her about her sushi dinner. The next day, Camilla convinces Ilenia to talk to Inspector Berardi. He shows her the picture of the dog he had recovered from the dead body.

Ugo and Nora have very contrasting moods and intentions when they get to the courthouse for their divorce hearing.

Lojacono and Laura are discussing the case at the crime scene when they discover someone listening to them. This adds a new element to the investigation. As they are leaving the building, they run into the former door person, Rosetta, who is curious about the case. Back at headquarters, Ottavia does some research and Pisanelli's memory is jogged about an old case.

Imma goes to Cinecittà to find Lolita. They manage to have a conversation about Donata Miulli, the victim.

Once again, Caravaggio is criticized for using a woman considered to be a prostitute in a painting of the Virgin Mary. This time, there are consequences for Lena, too.

As we suspected, Melissa used the bathroom as an excuse to talk to Stefano. Joy is at home, but tells her mother everything is fine. Alice shows up and the focus of the conversation goes to Alice and Max.

As he leaves the hospital with his wife, Luigi talks about how his perspective changed having had an experience such as he did.

Ilenia confides in Camilla about relations with her parents and some startling facts emerge. Ferrari and Torre go to talk to the gutter punks.

Before the guests leave, the mother of the bride has a couple of questions for Nora and Ugo, translated by Emebet's brother. Nora is emotionally affected by what he says. Melody and Dino look on.

Pietro is asking Ottavia to look at an apartment with him when Ottavia's husband shows up needing a favor. Lojacono has a conversation with Teresa's husband and they clear up some things. Later, Mrs. Vassallo has another meeting with the investigators and the DA.

Imma and Calogiuri are enjoying dinner together, but the conversation is a bit awkward. A guy comes by selling roses, creating yet another awkward moment.

Michele is working on a new painting for the Church, hoping it will allow him to return to the good graces of his protectors. He still has the propensity to use common people as models and this might get him into trouble again.