Fellini talks about being an artist and about not being afraid to face one's doubts in order to carry out a mission.

At the Cannes festival, Fellini talks about La Dolce Vita, as does Georges Simenon, president of the jury, who proclaimed its success by standing up and applauding.

Fellini is at Cannes for the festival and screening of La Dolce Vita. He tells of his ironic encounters with unusual characters, who complain about the oddity of Fellini's movie characters.

Federico Fellini discusses Marcello Mastroianni's role as "everyman" in La Dolce Vita. He encourages viewers to see Mastroianni's "passions, hopes, fears and cowardice, and anguish and sleaziness" as similar to their own.

Fellini tells how La Dolce Vita scenes were filmed both on the Via Veneto and on a set reconstructing the famous street in Cinecittà. The director also discusses his being a Capricorn.

Crowds of Romans gather to watch the filming of Anita Ekberg in the Trevi Fountain. Federico Fellini tells of his inspirations for the film La Dolce Vita.

Fellini describes his relationship to a producer who became so exasperated by the director, that he drank ink in mock suicide.

Mario Talarico is a Neapolitan master umbrella maker. He and his finely crafted products have been featured in newspapers around the world.

Donatella Versace, go-to designer for movie stars and rock stars, talks about her love of color, designing the various Versace collections, and the legacy of her brother.

Fellini, interviewed at the Trevi Fountain, during the filming of La Dolce Vita, discussed his relationships with producers.

An exclusive interview with the world-famous Italian film director and screenwriter, Federico Fellini.

A beautiful but functional modern distillery near Bassano del Grappa designed by Massimiliano Fucsas, and a look at one of the latest fashion shows in Italy, characterized by the bizarre and geometric.

Fashion shows are not only a way to let the world know about new collections. They also show off the creativity and genius of designers who, in addition to creating new styles in clothing, create the staging and music for their shows.

Silvano Lattanzi, from the Marches region of Italy, makes shoes to be worn by heads of state and celebrities. The shoes are carefully handcrafted and can cost up to five thousand euros a pair.

Monica Bellucci is an Italian fashion model and movie actress who is now a naturalized French citizen. She talks about her career and about what contributed to her being so highly successful.

The Basilicata region of Italy has, until recently, been overshadowed by the more popular areas of the country, but now, more and more, its very special and unique characteristics have sparked the interest of all sorts of people, from tourists to filmmakers.

Terzani, in this third section of the interview, describes the continent of Asia, where one rediscovers the core of life, that is to say, more essential and basic things, well beyond the reach of war.

The interview with Tiziano Terzani continues. He tells of his capture by the Khmer Rouge in Cambodia, the dangers to which he was exposed, and how he was able to save himself.

Tiziano Terzani (1938–2004) was an important journalist and writer. This interview, considered to be of historical value, took place during the broadcast of the Swiss television show, Cartabianca [Carte blanche], conducted by Leo Manfrini, who was a close friend of the writer.

Raffaele, a producer of extra virgin olive oil from Apulia, tells us about the ancient origins of his olive groves. Many of the trees are centuries old, some are even over a thousand years old, and continue to produce excellent oil.

Pasolini is asked what he thinks about progress and development. He is also asked about the inspiration he seems to have taken from subjects of the New Testament of the Bible.

In this segment, we're on the set with Pasolini as he shouts directions to Totò through his megaphone, and at the same time discusses the shoot with his crew. Naturally, authenticity often means people speak over each other, so it's hard to understand what is said. Then, Pasolini is asked by a journalist about his views on neorealism and here, the speech is clearer (and interesting), so don't give up!

Pasolini talks about how he moved from literature to cinema, and how his ideas about language changed. He talked about providing Italians with an opportunity to demonstrate racism, perhaps for the first time, with his movie, Accattone.

Pasolini talks about how artists are always controversial. They are a living protest. His protest involves language and national identity.