The segment focuses on Messalina, wife of the Emperor Claudius, who owned a villa on the site of Villa Medici. We catch a glimpse of tunnels and rooms beneath the villa, which were used by Ferdinando de' Medici to imprison Asian slaves when they weren't at work on a garden meant to evoke Mount Parnassus.

The tour of the Abruzzo Region concludes with sights near l'Aquila, the region's capital.

We get a look at the plaster casts of Roman and Greek statues in the French Academy's storage rooms, sculptures such as the Venus de Milo. Fellows have made use of these casts to draw inspiration for their own works.

The documentary comes to a close with an interview regarding a prison cell used during the Inquisition. The cell bears the graffiti of its inmates. Pitrè had laboriously uncovered the graffiti, but it was only rediscovered in the 1970s by the writer Leonardo Sciascia and the interviewee in this segment, Giuseppe Quatriglio, who used Pitrè's writing to find it.

The segment features the Oratory of San Pellegrino and the Church of St. Mary of the Assumption in Bominaco. These, together with the Marian church in nearby Fossa, are considered the finest examples of Medieval art and architecture in the Abruzzo Region.

A tour of Villa Medici's reception and private rooms. Ferdinando de' Medici hired the architect and sculptor Bartolomeo Ammannati to expand the villa, as well as other renowned Florentines artists to create fresco cycles exalting his life. We catch a glimpse of his frescoed south-facing apartment, which would have been used in the colder months, while the north-side suite was for warmer periods.

A Palermo doctor discusses the Integration of immigrants in Sicily and highlights the successes in healthcare. Medical assistance is provided for all immigrants, whether lawful or not.

Abruzzo churches built by order of Saint Francis of Assisi (1226–1330) or dedicated to him, are featured in this segment.

The segment focuses on the reasons behind the founding of the French Academy by Louis XIV

A Palermo doctor is interviewed about his practice and the African and Southeast Asian immigrant patients that he treats.

The segment highlights two medieval churches near the ancient site of Alba Fucens. Both churches display ornamental facings made from pieces of colored marble that are intricately pieced together, what is known as Cosmatesque work.

The French government is privileged to have two of Rome's most beautiful properties: Palazzo Farnese, which they rent for a nominal fee and use as their embassy, and Villa Medici, which is the home of the French Academy, and was procured by Napoleon. The narrator speaks of how the land on which Villa Medici was built was highly appreciated by the ancient Romans.

Palermo faces the sea and has a very long history of immigration. The narrator interviews a young woman whose great grandfather came to Sicily from Sudan. She is involved in educating immigrants from Africa and Asia. Pitrè was also highly involved in education.

Highlights include a church straddling the Romanesque and Gothic in Celano, and Massa d'Albe (the Roman city of Alba Fucens), where there is an amphitheater excavated from rock. The word arena comes from the Latin word harena, or sand. Sand was used on arena floors to catch the blood lost during gladiator games and the like.

Giuseppe Pitrè loved attending performances of chivalric folk plays in Palermo. This segment follows a marionette player at Palermo's Opera dei Pupi, the same theater where Pitrè went to see folk epics.