A visit to a sumptuous palace in Palermo which incorporates a variety of styles, from the Gothic to the Baroque.

Marika and Arianna discuss their favorite book genres, authors, and why they like to read.

Tamara, with Tania's help, continues with the decoration of a gift bag. The glue and glitter technique can also be used on handbags or t-shirts.

Tamara shows us how to use a simple stencil to turn a plain paper bag into a gift package.

Tamara and Tania show some of the items that can be bought either unfinished or decorated in their shop. They demonstrate the use of glass paints and outline the steps used in decoupage.

Tamara shows us the acrylic water-based paints that the family uses to decorate ornaments, frames, and masks, among other things.

Adriano tells us about the famous southern Italian folk dance, la tarantella. He also tries dancing it himself.

Tamara shows us how she turns out made-to-order boxes and embossed greeting cards in her Rome shop. Polvere di Fata is the shop's name and it means both fairy dust and crafting glitter. Tamara owns it together with her twin sister Tania, and their mother Cinzia.

Éric de Chassey, Director of the French Academy, details the mission of the institution.

The segment concentrates on two richly frescoed rooms that are set apart from the villa. Cardinal Ferdinando de' Medici used these secluded rooms for trysts.

We visit the French Academy's gallery devoted to plaster casts of antique sculptures and the large park, which was once used by Ferdinando de' Medici for hunting.

The segment focuses on Messalina, wife of the Emperor Claudius, who owned a villa on the site of Villa Medici. We catch a glimpse of tunnels and rooms beneath the villa, which were used by Ferdinando de' Medici to imprison Asian slaves when they weren't at work on a garden meant to evoke Mount Parnassus.

The tour of the Abruzzo Region concludes with sights near l'Aquila, the region's capital.

We get a look at the plaster casts of Roman and Greek statues in the French Academy's storage rooms, sculptures such as the Venus de Milo. Fellows have made use of these casts to draw inspiration for their own works.

The documentary comes to a close with an interview regarding a prison cell used during the Inquisition. The cell bears the graffiti of its inmates. Pitrè had laboriously uncovered the graffiti, but it was only rediscovered in the 1970s by the writer Leonardo Sciascia and the interviewee in this segment, Giuseppe Quatriglio, who used Pitrè's writing to find it.