Anna and Camilla enter Quantunque's apartment to understand why he hasn't been to the restaurant anymore; the only suspicious element is a suitcase locked with a combination. Meanwhile, at home, Renzo appears more serene after talking with his mother-in-law and attempts a reconciliation by preparing dinner.

Rosaria appears very impressed by Alex's new house and, between one compliment and another, updates her partner on the latest developments in the investigation. Meanwhile Lojacono goes to the restaurant to see Letizia, who welcomes him by offering a rich and inviting selection of typical Neapolitan dishes.

Anna is worried about Quantunque and asks Camilla to accompany her to his house to understand how he is, since he didn't come to the restaurant. Meanwhile, Torre and Piccolo enter Torrielli's apartment, finding it completely turned upside down: no clear clues emerge, except for elements that suggest an ambiguous professionalism.

Between interrogations, conflicting leads and multiplying suspicions, secrets emerge linked to the victim and their private life. Meanwhile Romano faces the weight of his own guilt and the violence he committed but is called back to a sense of responsibility by the group.

Commissioner Berardi investigates the disappearance of Mrs. Torrielli and, during an inspection, interrogates the widower Ventruti. In an informal setting, over coffee, an important detail emerges: Flora's new address.

Mrs. Nubila retraces what she knows about Lara, the young woman welcomed with almost filial affection into her family. However, the fragile balance of her life is shattered by her husband's sudden return. Di Nardo and Lojacono reveal to her an aspect of Lara's story that the woman was unaware of.

Camilla introduces a reflection on couple relationships drawing inspiration from literary examples, to analyze the theme of women who are socially and economically stronger than men. Meanwhile, Torre and Berardi conduct a neighborhood investigation that leads to gossip and everyday banality, between soap operas and moral judgments.

Ottavia and Romano speak with Senatore who tells about his ambiguous relationship with Lara, described as an honest, reserved woman full of grace. After rejecting his advances, Lara decides to leave suddenly and when he is told that she was pregnant, the man appears genuinely surprised.

Gaetano and Camilla discuss their relationship difficulties, including jealousy and advice on how to communicate better. The conversation intertwines with investigative work when Camilla asks for more information regarding the recent murder.

The circle is tightening and the police are investigating two possible profiles: a lawyer and an engineer. Between jokes and internal dynamics at the police station, two officers are assigned to interrogate engineer Senatore and two others go to Nubila.

Renzo, left without work, goes through a moment of deep frustration and is hurt when he discovers that Camilla tried to help him by turning to Gaetano. Between jealousy, pride and hurtful words, a domestic argument breaks out between the two that ends with Renzo's decision to go sleep on the studio couch.

While the little girl hovers between life and death in the hospital, the forensic police and investigators begin to dig into the past of the young woman found dead. A regular residence permit, jobs as a domestic worker in upscale neighborhoods, rent paid in cash and too many unanswered questions.

While Renzo celebrates a special occasion, at the police station investigators search for leads on the murder of a young woman found in a dump. Among abandoned cars and small clues, new details emerge, while at home Camilla tries to bring serenity back into the lives of the people she cares about.

The investigations are only at the beginning and the autopsy results are not yet available. For now it emerges that there are no signs of struggle and that the girl was caught by surprise. Meanwhile, at home, Giuseppe and Laura rediscover their complicity.

The discovery of a brutally mutilated corpse opens a complex investigation as the victim is without identity and unrecognizable. While Camilla reflects talking to herself, she has a bizarre encounter.