The case has been solved, one gets the feeling that if the murderer had been Varricchio, a common ex-convict, instead of a promising biologist, son of a prominent professor, the outcome would have been more palatable to the city and to the press.

In a church basement, a priest leads some young people in singing to celebrate the eighty-first birthday of Mariolina. Caterina goes to find Angela, who is late with the cake.

Lojacono is on a video call with Marina, his daughter, and her friend Chanel, when he gets a phone call from headquarters and goes to a new crime scene, to see what's what.

Lojacono and DA Piras arrive at the scene of the crime and meet Don Michele. The next morning Lojacono goes with Di Nardo to talk to the kids who had been in the parish hall with the victim.

The young volunteers talk about how they met and what they were doing the night of the murder. Aragona and Romano come back to headquarters with a photo they found at the victim's home.

Lojacono surprises Laura at dinnertime. Di Nardo has dinner with Rosaria, who has an invitation for her. At the dinner table, Giorgia has something to discuss with Francesco.

A parishioner shows up at police headquarters with photos she thinks are compromising. Lojacono and Alex then go to question the volunteers as to whether the insinuations could carry any weight.

Lojacono and Di Nardo go to speak with Don Michele again, when Mass is over. The priest confirms that he and Angela cared for each other very much but that they didn't have a relationship. He is being rather defensive, but Lojacono gets him to agree to cooperate.

This documentary is about Guido Crepax, the creator of a famous fumetto (comic strip) that came out in 1965. The main characters are Philip Rembrandt, an art critic, and Valentina Rosselli, a photojournalist.

Crepax started out with one protagonist, Philip Rembrandt, but gradually phased him out, along with his superpowers. Valentina then took over as the protagonist. Crepax talks about Milan in the sixties.

In 1963 Crepax got his start in the world of comic books and two years later created his famous character, Valentina. The comic strip first appeared in the anthology comic book, "linus," founded by Giovanni Gandini, who had known Crepax as a kid.

Filmmakers Tinto Brass and Giuseppe Tornatore comment on how some elements of expressivity are shared between comic strips and the cinema.

Crepax's Valentina was an intriguing character because she openly reflected the sexual freedom of the late sixties and was attractive to both men and women. It was very "in" to be seen walking around with an issue of "Linus," an Italian comics magazine published in Italy beginning in 1965.

Valentina's success coincided with the beginnings of feminist movements in Italy. She depicted a woman who was strong and independent, who could do anything a man could do, a departure from the stereotype of the Italian housewife.

Among the pages of the comic strip, family members find familiar objects, drawings, and personal information from their everyday life. Although Valentina was a figment of Crepax's imagination, she was also an integral part of his family.