Lojacono follows Varricchio to his hotel to ask a few more questions, in private.

Lojacono is not at all convinced that Varricchio killed his own children, especially after talking to him. Pisanelli got some bad news about another retiree having taken his own life. Pisanelli had been watching over the wrong home.

Ottavia and Palma talk about his new apartment and the fact that it is still empty. Lojacono gets some good news from his friend Paolo and shares it with Marinella. He goes to the train station to wait for Laura and gets an idea about the case.

Varricchio is back in the DA's office and tells a different story, admitting he had lied the first time. But is there proof of his new version? At home, Lojacono is shocked by some news he hears on the TV.

Lojacono goes to Letizia's trattoria and tells her about the bad news about the witness. She tries to reassure him but also has a new customer to attend to. Francesco can't let Giorgia go and sleeps in the car in front of her house.

At the hotel where Aragona stays, he tries to find out who the new housekeeping person is. Down at the police station, there is news concerning the prostitute Varricchio says he spent time with the night of the murder.

Laura and Lojacono go to Laura's house and she begins cooking dinner. At his hotel, Aragona has a chance to see Irene, the new housemaid, in the dining room and can't take his eyes off her. Francesco brings Giorgia breakfast in bed. It's una graffa (a kind of doughnut).

Lojacono and Di Nardo go to see Biagio's ex-girlfriend to ask her one more question. She happens to remember something that gives them a new lead. They then go and talk to Renato, Biagio's friend and colleague.

Lojacono is confident he knows how the murder happened and is able to trick Renato into saying something he couldn't have heard on the news.

The case has been solved, one gets the feeling that if the murderer had been Varricchio, a common ex-convict, instead of a promising biologist, son of a prominent professor, the outcome would have been more palatable to the city and to the press.

This documentary is about Guido Crepax, the creator of a famous fumetto (comic strip) that came out in 1965. The main characters are Philip Rembrandt, an art critic, and Valentina Rosselli, a photojournalist.

Crepax started out with one protagonist, Philip Rembrandt, but gradually phased him out, along with his superpowers. Valentina then took over as the protagonist. Crepax talks about Milan in the sixties.

In 1963 Crepax got his start in the world of comic books and two years later created his famous character, Valentina. The comic strip first appeared in the anthology comic book, "linus," founded by Giovanni Gandini, who had known Crepax as a kid.

Filmmakers Tinto Brass and Giuseppe Tornatore comment on how some elements of expressivity are shared between comic strips and the cinema.

Crepax's Valentina was an intriguing character because she openly reflected the sexual freedom of the late sixties and was attractive to both men and women. It was very "in" to be seen walking around with an issue of "Linus," an Italian comics magazine published in Italy beginning in 1965.