Tamara uses a synthetic modeling clay in her shop to make necklaces, personalized plaques, and much more. She uses a special kind of glue for this material.

Dubbing has all sorts of uses, but certainly one of the most fascinating ones is making us believe an actor is speaking our language when we go to see a foreign film. Arianna takes us through the basic phases.

Now that Arianna has explained what dubbing is, she demonstrates the dubbing process itself, using a video from Yabla English.

Marino meets Silvana and they start chatting by the sea. They discover that their professions are related (naturopathy and body-psychotherapy) and they enjoy sharing ways of looking at emotions and symbols.

Edo is an illusionist, and with Eleonora's assistance, he shows us some tricks with newspaper cuttings and a deck of cards, all with Mount Vesuvius as a backdrop.

Franco Calafatti shows us his marvelous shop filled with spices. He brings us into his world, his special relationship with the spices, from traveling the world in search of the plants, to the harvesting, to the sorting, to the crushing.

Erica, from a small city in Tuscany, talks about her great passion: archeology. She has been lucky enough to be able to combine this passion with another one — tourism – in her current job.

Erica welcomes us to the tourist office where she works. She tells us all about it.

Erica describes one of the workshops she does for kids. It's all about learning how prehistoric man made fire from materials found in nature. Stay tuned for a practical demonstration of this!

Erica studied English at school, but was lucky enough, during high school, to travel to a country where English was spoken every day. That's where she learned the most, by living and breathing it.

Pianist Matteo Bogazzi explains what his job — pianista collaboratore (collaborating pianist) is all about, and how he got there. The interview took place during a chamber music festival and summer course in Lucca, where he was working.

Sometimes the accompanist has to follow the soloist's musical intentions, but at other times, when the musician is not very experienced, the accompanist needs to guide the soloist and make the best of a potentially tricky musical situation. This depends on the musical and technical level of the soloist, as well as the experience and maturity of the accompanist.

Matteo tells us how fundamental it is to know the entire score, not just one's own part, in order to best interpret a piece. For him, music is above all education in listening: to the composer, to other musicians, and to oneself. Playing together thus becomes an experience of growth and mutual care, even before it becomes artistic.

Sandra was born in the province of Pisa and tells the story of her personal transformation. She begins at the beginning, when she was a young girl growing up in Cascina, a town near Pisa. But she wasn't happy and felt like a fish out of water.

Sandra tells about her immigration experience to the United States in 1979. At first, without knowing English well and without technology, she faces many difficulties in daily life and in finding work. Starting from a simple job as a coat check attendant in a restaurant, she slowly begins a new life that would later lead her to become a chef.