Lojacano can't wait to have some time with his daughter, but she has other plans. Pisanelli goes to see his friar friend, Leonardo, at the monastery.

Michele returns to the palace but the Cardinal is not happy. Beatrice is on trial at the papal court and is trying to defend herself.

Crepax's stories were based on imagination and vision. In those years, artists contaminated one another's works, and there was even a curious connection between Crepax's Ciao Valentina and Antonioni's Blow-Up.

Luigi explains an unwritten rule at the hospital, and we see it in action. The priest is in crisi (having a hard time) and explains things to his roommate, who doesn't quite get it.

Coral has been made into jewelry in Torre del Greco since the fifteenth century. In that same century, a variety of grapes arrived from Catalunya, which over time has produced a wine with a unique personality.

In this new episode, Livietta is planning her birthday party. Sammy is celebrating her birthday party at a restaurant with her classmates and their teacher, Camilla. In the meantime, a dead body was reported in a park.

Ugo and the bride sit in the car and commiserate. Nora drives up and is happy to see the car. A heated argument ensues.

Michele is at dinner at Fillide's home. The conversation turns to a grim story of patricide involving someone he knows and he can't let it go. Things get out of hand.

Who was the model for Valentina? Certainly, the actress Louise Brooks who portrayed Lulu in the movie Pandora's Box directed by G.W Pabst (based on two plays by Frank Wedekind), but also Crepax's wife, Luisa Mandelli.

Gragnano is a town near Naples known for its pasta production. There are many different shapes and types, but they all are a bit rough to the touch, because they go through a bronze cutter, rather than a Teflon one. That's why the pasta holds the sauce better. Of course, everyone living in Gragnano is an expert about pasta.

The truth comes out and the case is solved. Livietta has a moment of clarity and does something very kind.

Ugo is not happy being a stripper. Maria Chiara, the bride-to-be is not happy either, and is a bit apprehensive about getting married. Nora realizes something about Ugo.

Lojacono and Aragona talk to different residents of the building where Teresa was killed. Everyone has something to say about her.

Michele finishes his painting of Fillide and they have a moment to get to know each other better.

Just as in Cubist art, Crepax would design his figures to be seen from various points of view simultaneously. Sometimes he would use small windows to attract attention rather than making them larger.