In this lesson, Marika explains, with examples from Yabla videos, two words that always puzzle learners: mica and manco. The first part is all about mica. Here's what you need to know!

Diabolik drives a Jaguar, but not an ordinary Jaguar. He is able to transform the car in order to facilitate escaping when the need arises. In a way, both Diabolik and his car wear masks and assume different identities.

A young man is departing by train and says goodbye to his two parents in different ways. In another scene, a little girl is going to school very reluctantly and her brother has to practically drag her there.

While chatting with her mother, Imma discovers who Peppino Pez Pez was. Diana has the prints from the plates found in Stella's cave dwelling.

Torre is cooking in the archives! Berardi shows up and they talk. Later, Berardi meets up with Camilla to fill her in on the case.

The friends go into Ilaria's ex's house to find something of value to steal.

For its time, the Ferrari Daytona Spider was incredible to drive, with its twelve-cylinder engine and impressive horsepower.

Apulia is famous for the characteristic trullo. But another typical building is the lamia, a rural building with a square base, sloping dry stone walls and a roof usually made with a lowered barrel vault or a dome. This characteristically simple construction consists of a single room, used as a temporary shelter for the farm's agricultural workers or storage. Today, many of these farms have been transformed into hotels.

"Manco" is a bit more complicated than "mica" because it's often used with irony. It's also used with the impersonal third person, making it rather tricky to translate. But remembering that it means neanche (not even) can help.

The creators of Diabolik had commuters in mind. They wanted to create something engaging that one could read in the time of a commute, and which was pocket-sized. We also discover why the name Diabolik ends with a K.

We meet a few of the musicians attending the conservatory and the orchestra conductor, who is no-nonsense and stern.

Imma and Calogiuri confront De Nardis with the prints from the photographic plates. He admitted to knowing about them, but that was all. While they are there, Calogiuri receives a phone call that might provide some leads as to the red Panda.

Camilla and Gaetano still have some loose ends to tie up, but they are not thinking of the same loose ends. He finally manages to tell her he is leaving for a new job.

After Cioni has a little encounter with a watermelon, they go back to the apartment and talk about what to do with the stuff they stole. This leads to a conversation about why things went south between Ilaria and her ex-boyfriend.

We take a look at the Maserati Khamsin, produced during the oil crisis of the nineteen seventies. It didn't need much restoring and was particularly comfortable.