What works in the relationship between Vera and Giuliano is partly the fact that they complement each other, like yin and yang. They talk about a biographical movie they made about Giordano Bruno, a 16th-century Italian philosopher and cosmological theorist, with Gian Maria Volonté.

Enjoy another walk through the fields with pig brothers Piggeldy and Frederick. This time Piggeldy wants to know how one gets to Swinebridge.

As a result of historical research and restoration, it was discovered that the Resurrection had not been painted on the wall on which we now see it, but had been transported from another location, likely the external facade of the building, under the arengario of Borgo Sansepolcro.

Luigi recounts that typically, during the night in the ward, there is anger in the air, and, indeed, Luigi has to deal with an angry stressed-out nurse.

Forensics recovers an email that opens up some new avenues in the investigation. Lojacono and Aragona go see the notary at his workplace. Di Nardo's parents want to meet her boyfriend.

With Mister Esposito's deposition, the inspector's suspicions are confirmed. That evening, Camilla and Renzo go to dinner, as arranged, but they are not the only ones.

The principal and the teacher taste the four dishes and decide on the grades.

Lele is asked by a fellow doctor to have a look at a patient who might not be telling the truth about what happened to her. Maria and Rebi are planning the guest list for the party. Cettina is listening and commenting as she works in the kitchen.

Moscati risks his life to save some of the patients from the hospital. It took courage and patience.

Rita Levi Montalcini talks about what, as a little girl, she wanted to be when she grew up. One of her main goals was to help women, especially ones from poor countries, become what they were meant to become.

Ricotta and Felice rush over to Manzi's house to give them some good news. At school, Manzi and the principal clash over teaching methods.

Montaldo tells how the film about Marco Polo came about. It was shot on three different continents.

We learn some more about the origins of Piero's Resurrection and why it might have been commissioned. As with other works of art, the Resurrection likely had political symbolism as well as religious symbolism.

Marika has set up a Q & A series of videos specifically designed to answer your questions in more detail and with more examples than what is possible in the comments section of a Yabla video. She explains how it works in this video, so don't miss out on the opportunity to get your questions answered!

We get a glimpse of Francesco's home life in this segment. He has a lot of pent-up anger and doesn't have it very well under control. Lojacono and Aragona are following Miss Russo and have a little conversation about patience.