This is a great chance to practice bone and muscle vocabulary, since that's what the pairing is about in this episode. The first contestant is named Santo. "Santo" means "saint," so there's some joking about it being just his name, not a description. Carlo, contestant number two is a musician and works in music therapy. He sings a few phrases of an aria from the Puccini opera Tosca.

Tamara uses a synthetic modeling clay in her shop to make necklaces, personalized plaques, and much more. She uses a special kind of glue for this material.

Marika and Arianna discuss their favorite book genres, authors, and why they like to read.

Camilla visits Marta to try and talk some sense into her, but then they both look out the window and see trouble coming in the form of two thugs Marta recognizes. Of course, Renzo is blithely reading the paper in the car, and has Camilla's cell phone. What to do?

Marika and Arianna discuss the Erasmus Program, a student exchange program that was founded in the late 1980s. It allows European university students to study at other EU country universities. The program is named after the Dutch humanist, Erasmus of Rotterdam (1466-1536).

Camilla's husband and daughter watch the video recording of the missed game on TV while Camilla decides what to do the next day (with the help of her dog), and enlists her husband's help.

We can see that the battle against using "Lei," the common, formal, second-person form of address, was taken very seriously by the fascists. In fact they went too far when it came to a popular women's magazine called "Lei" (she, her).

Tamara, with Tania's help, continues with the decoration of a gift bag. The glue and glitter technique can also be used on handbags or t-shirts.

Camilla goes to the police station to identify the two thugs who had attacked her, and who sold the drugs to Marta. She also confronts Marta who has been brought in for questioning, and who is wondering who on earth Camilla is, and what she wants from her.

Mussolini continues to get rid of any traces of foreign words, and even mounts an exhibit against the use of the common formal second person singular address "Lei" (you) in favor of "Voi." See this lesson about "Voi" to get some background.

Camilla is taking risks to figure out who killed Nicola. But Commissioner Berardi shows up in time to whisk her away. He's none too happy about her interfering, but in the end, she gives him a hand by identifying some suspects.

Arianna has been made the head of a new marketing team. Too bad the woman reporting to her let things go sideways.

Tamara shows us how to use a simple stencil to turn a plain paper bag into a gift package.

Camilla gets her husband to help with the case by invoking her dead father and concocting a story about playing Lotto.

A great deal of effort went into purging foreign words from the Italian language under the fascist regime. Newspapers, magazines, and book publishers were at the forefront of the effort and were tasked with finding Italian replacements for foreign words and expressions. Many fascist-era terms have fallen by the wayside, but some succeeded and are still in use today. As an example, the word manifesto [poster] was successfully introduced to replace the French term affiche.