Enzo has his hands full with Sasà at the gym. And that's not all.

Artist Nanda Vigo, a friend of Gualtiero Marchesi's, tells us what it was like to be an artist back in those days, and how Marchesi was involved.

There are some special additions to the judo class today.

One thing that was special about Marchesi's cuisine was that rather than looking abroad for exotic ingredients, his dishes were works of art made with local, ordinary materials.

Nunzia knocks at Enzo's door asking him to help her with her son, Sasà. We get to see a bit more of Sasà's personality, and Toni's.

We're taken back to before the shots were fired at the Judo school. We get some background on the school and on Enzo's family.

Marchesi's friends provide details about their long-term relationships with the celebrated chef.

Based on a true story, this film takes place in Scampia, a poor, crowded suburb just outside Naples. Having one of the highest rates of unemployment in Italy, the Camorra gets its way with many of the kids from this neighborhood, but Gianni also saves many kids by getting them involved in judo.

Marchesi had plenty of artist friends, and that meant late nights, while having a restaurant meant getting up at the crack of dawn to go to the market. How did he do it?

Marchesi talks about how important his travels in Europe and in Asia had been in enriching his menu, and confirming the path he was following.

Giovanni Ballarini talks about what the kitchens of Italian restaurants were like in the fifties and sixties. To make sense of how he describes them, see Yabla lesson Parole Alterate - Modifying Words to Create New Ones, as well as video lesson Marika spiega: Parole alterate. Gianni Mura talks about some of the trends found on restaurant menus today.

Marchesi's friends and clients talk about Milan in the 1980s and how the fashion business helped it become such a cosmopolitan city. Reference is made to Florence's "Sala Bianca," [White Hall] in the Pitti Palace, where fashion shows took place before Milan became synonymous with high fashion.

Gualtiero Marchesi, together with his friend Medagliani, figured out how to invent new kinds of pots and pans to make the most of his new recipes.

Gualtiero Marchesi's restaurant was more akin to an art exhibit, than a place where you can get something to eat.

Gualtiero Marchesi tells us a bit about when he discovered "haute cuisine" in a famous hotel school in Switzerland.