During the orchestra rehearsal, a player makes a mistake and Marioni, the conductor, doesn't hesitate to press the point, in his usual cruel manner, that an orchestra is not a democracy.

Imma is still worried about her husband ending up in the hospital when, back at work, Diana has bad news for her. Imma remembers her appointment with Don Mariano, but that's not the worst of it.

The green Bianchina is not in very good condition, beginning with the engine, where there are serious oil leaks. René Arnoux, in the driver's seat, discusses the dashboard with its buttons and lights.

Gianluigi and Sergio Bonelli both wrote Tex stories, but they had different approaches, and their relationship was complex on a personal level. We learn about what inspired the images of the countryside where Tex and Carson would roam.

Imma had been dreaming and wakes up to a call from Don Mariano who wants to see her, urgently. But she has another emergency to deal with first.

Reneé Arnoux tries out a Bianchina, and seems to like how it handles on the road. Carmine Sessa tells us a little bit about the history of the car.

It's fascinating to see where the idea of Tex Willer came from and how it evolved. We get to know the creators, Gianluigi Bonelli and Aurelio Galleppini (pen name Galep).

Imma appears to be on the psychiatrist's couch, describing a dream, but the situation becomes more and more bizarre and we don't really know what's real and what isn't.

What kind of guy was Tex? For the most part, he was tutto d'un pezzo (a straight shooter). But sometimes it would depend on who was writing the story.

Pietro goes to his saxophone teacher's house to help her with a technical problem. At home, Imma gets an important phone call that has nothing to do with the case she just solved.

Tex Willer is the main fictional character of the Italian comics series Tex, first published in Italy in 1948. The series is an Italian take on the American Old West.

Calenzano finishes telling his story and Calogiuri takes him away. Stacchio's teacher stops by Imma's office with a pupil, Nicolas, who has a story of his own to tell.

We have a look inside the 12-cylinder engine of the Testarossa to see what kind of grade it will receive out of ten.

In front of Imma, Calogiuri, and Diana, Calenzano describes every detail of when he went to Stella's apartment to see her. He's distraught, as he relives the experience.

René Arnoux is back, telling us more about the Ferrari Testa Rossa, and some interesting facts about the evolution of the name. He also mentions the famed TV series, Miami Vice.