Eva and Dante have words, and their work relationship is on the brink of ending. Brainstorming with the girls brings to Eva's mind a possible hiding place for the gold bricks.

Daniela starts her four-part series on the passato remoto [remote or absolute past] verb tense. This tense is broadly used in the south of Italy, and infrequently in the north.

Pupazzo is the word for "doll," but Federica has transformed it (as she likes to do with words) into pupezza because pezzo means "piece," and as you will see, she uses pieces or scraps to make these dolls. Federica uses these rag/paper dolls as a means for looking deeper inside herself, at the dark as well as the light parts. It is part of a kind of therapy she uses to help others discover hidden areas inside themselves, by means of creative imagination.

Luca gets himself into an embarrassing situation with Marta. But he somehow wriggles out of it with an undercover assignment for her.

The girls get to work. They manage to get into the market, but things don't go exactly as planned.

Ilaria and Matteo are the new contestants. Ilaria is quizzed on a list of Italian male celebrities and has to decide whether they're actors or singers.

Gianni takes us up to an abandoned villa, and reflects on the tremendous challenges the builder faced.

Manara's team decides the best way to find out what's going on with Righini and Parri is to go to the post-contest party that evening.

Frozen in time. That's what it feels like to our brave ladies. The cuckolded security guard seems to have a never-ending list of betrayals on the part of his girlfriend.

Carlo presents Matteo with a list of countries and asks him whether they're situated in the Atlantic or the Pacific.

The team is at its best this time. And someone who is usually in the sidelines steps in with prontezza (quick reflexes) and brings this case to a climax.

Everyone had a rough time in this adventure, but all's well that ends well.

Carlo presents Tiziana with a list of animals and she has to decide whether they have hooves or not. Caterina, a freelance art professional from the Veneto, enters the game.

Gianni explores the interior of the abandoned villa, imagining what it might have been like before.

Giulia Parri and Righini, the editor-in-chief of the newspaper, come in to police headquarters to clear up a couple of things, but then Manara has one of his famous moments of great intuition.