From the moment Lojacono learned that Don Michele wasn't the only one with the church keys, he wanted to speak with the three volunteers who had them. The young people are unsure about the exact time they left the church on the evening of Angela's death.

The news reports that Musella jumped from the window and died. Pisanelli, still in the hospital, tells Father Leonardo about the news and says he feels guilty.

Marzio tells how things went with Angela and how he had learned about her past in Caserta from a friend of his. However, things took a bad turn when Angela didn't want to kiss him.

In the end, Marzio tells how things went and why he acted the way he did. The commissioner offers his congratulations to Lojacono via Laura.

Aragona finds the courage to tell Irina that he actually hadn't seen the movie, hoping they could go to the cinema together, but he's a little too late. Lojacono stops by to visit Don Michele and then goes out to dinner with Laura.

Laura and Giuseppe are at the restaurant when Laura notices that one of her colleagues is there with a woman who is not his wife. Laura insists on leaving the restaurant, but once back home, they have an argument.

A group of school kids visits a museum of trains. Pisanelli, after being discharged from the hospital, goes to the pharmacy to get the medicine prescribed by the doctor.

The atmosphere at the police station is gloomy as the end of the year approaches and the closure of Pizzofalcone is imminent. Lojacono and Di Nardo are out investigating a theft case in an apartment.

Lojacono and Di Nardo gather information from the couple who were robbed. When they leave the apartment, they agree that there are some strange things. At the police station, Aragona goes to talk to Romano.

The police station receives a phone call about the disappearance of a child during a school trip with the nuns. Aragona and Romano rush to the museum, the last place he had been seen, where they question the sisters and a little boy.

At the police station, the team discusses how the museum's cameras were positioned. Back at the museum, they try to calm the child's mother, who is very upset.

Giuseppe is shaken by the case he is working on, concerning the child who disappeared at the museum. He has lost his appetite and confides in Letizia. At the police station, the team is looking at the security camera footage for some clues.

Dodo's mother and her new partner try to identify the hooded person the boy walked off with. The boy's father is also questioned.

This documentary is about Guido Crepax, the creator of a famous fumetto (comic strip) that came out in 1965. The main characters are Philip Rembrandt, an art critic, and Valentina Rosselli, a photojournalist.

Crepax started out with one protagonist, Philip Rembrandt, but gradually phased him out, along with his superpowers. Valentina then took over as the protagonist. Crepax talks about Milan in the sixties.