Rosario and his mother share a secret and touching moment in the school that the boy attends, between music and complicity. At Matteo's house, instead, tensions emerge between uncle and nephew, fueled by emotional conflicts and misunderstandings.

An everyday conversation brings to light small obsessions, embarrassments and emotional difficulties. Between jokes about recycling and seemingly insignificant gestures, deeper tensions emerge: the struggle to ask for help, the need for connection and a subtle loneliness.

During the meeting with his mother, Rosario discovers that she wants to move to Florence and come back to live with him. The news upsets him, because he has been living with his foster family for a long time and fears that this sudden change could turn his life upside down.

Maestro Marioni is back at the conservatory, ready to rehearse for the upcoming concert. Sara has had a change of heart about participating and talks to Marioni about it. She then sings a song (in English), venting her frustration. The song is actually "Wrecking Ball," made famous by Miley Cyrus. We've translated the Italian subtitles, but you can find the original English lyrics here.

During the rehearsal in the hall, tensions emerge between some members of the orchestra. Domenico misunderstands the relationship between Sara and Matteo, while the rehearsal continues amid errors, nervousness and arguments between the musicians. The maestro, focused on the music, ignores the chaos that builds around him.

Rosario claims he no longer worries about the consequences of his actions, because he will have to leave Milan anyway. Meanwhile, Domenico and Matteo clash harshly, calling their friendship into question amid accusations and betrayals. Sara is forced to confront a difficult reality, understanding that she must grow up quickly and put her emotional strength to the test.

Matteo gets home and walks in on his uncle and Daniele, the neighbor. After Daniele leaves, Matteo talks to his uncle about his personal problems, wondering why he is behaving so badly.

Barbara avoids a meeting to take refuge in music, while the rest of the group confronts insecurities. A breathing crisis of little Chiara brings past fears back to light, but also the strength of mutual support. Meanwhile, among colleagues, the organization of an innovative concert takes shape.

Irene is not so sure Marioni's car crash was really an accident, and the two talk frankly. Meanwhile, Robbo's sister Chiara has an asthma attack, and Robbo calls their father.

Marioni has an intimate moment with Irene and lets her know how important she is to him, whispering the lyrics to "Senza fine" by Gino Paoli. At the conservatory, the orchestra is ready to go onstage for the concert, where, presumably, everyone will play from memory. Matteo's uncle and friend are in the audience, but Nathan hasn't invited anyone. Sara is nervous.

Marioni introduces an unusual concert, in which he gives up conducting the orchestra to accommodate a visually impaired musician. The orchestra is arranged among the audience, and the musicians will perform without visual references, relying exclusively on their ears.

With the lights dimmed, the conservatory orchestra gives a moving performance of the famous piece known as Adagio di Albinoni. As they play, Marioni listens, and his emotions take him back in time to relive his daughter's bicycle accident and aftermath.

La ladra (The Thief) is a television series starring Veronica Pivetti, who plays Eva Marsiglia, a high level chef. But that's not all she does!

A man walks into the restaurant Il Frutto Proibito (Forbidden Fruit) sure that Eva will hire him as a cook, but before she can even think about it, she gets called away to take care of a situation with her son, Lorenzo...

A very exacting client and a very special dessert are the stars of this segment. Don't miss it!