The segment shows us some interiors in Coppedè's dream-inspired complex.

More dreamy interiors of the Coppedè complex and an introduction to the Keats–Shelley House in Piazza di Spagna.

The segment touches on Byron and Shelley, but is mostly about Keats and his time in Rome. It also includes part of a beautiful love letter to Fanny Brawne. The narrator speaks of Keats living on the second floor. The Italian way of counting stories is to call the first floor, the ground floor, and the numbering starts above.

The narrator reads some moving passages from the letters of John Keats and Fanny Brawne. Giacomo Leopardi, the Italian poet and near contemporary to Keats and Shelley, also lived in Piazza di Spagna.

We visit the cemetery where the English poets are buried, and learn about the relationship between the Tiber River and the city of Rome.

Rome's many bridges are the focus of this video, including the Ponte Rotto, which dates back to ancient Rome. Only part of the Ponte Rotto is still standing and this is why it is called rotto or broken. Rivers are masculine in Italian, and ancient Roman statues portray River Gods as recumbent elderly men with long beards.

The tour draws to a close in Rome's rougher neighborhoods, those that were particularly fascinating to poet and filmmaker Pier Paolo Pasolini.

Manara and his team are still looking for the hit-and-run driver who killed the tramp, and investigating the vineyard owner's disappearance. Lara gives Manara a clue as to why she's still angry with him.

Manara makes an important and unexpected announcement to his colleagues, but gets interrupted by some disturbing news about the town psychic.

Interrogating the wife of one's boss might be cause for some nervousness, but Manara seems to enjoy it. And Luca also has some news, which slips out very casually.

At police headquarters, everyone is thinking about what they will do when they get off work, but then there is a phone call that changes everyone's plans. A fall onto the rocks by the beach, a book with an intriguing design, and we're off to a new episode with Luca Manara.

The investigation begins. Manara and Rivera go to see the victim's wife, while Toscani calls a tow truck. Then all hell breaks loose in a house nearby, where there's been a gas leak.

The autopsy report comes, and Manara goes to talk to the victim's widow. Marta goes to talk to his lover. Marta gets a phone call, and her colleagues realize, with surprise, who her father is.

Both the victim's wife and his lover are questioned at the same time, one by Luca, and one by Marta. Each has a very different memory of what Fello was like.

How good of a painter was the victim? Not all the people who knew him have the same opinion. Luca and Toscani go to see the picture framer and learn a few things.