Difficulty: Intermediate
Italy
Crepax started out with one protagonist, Philip Rembrandt, but gradually phased him out, along with his superpowers. Valentina then took over as the protagonist. Crepax talks about Milan in the sixties.
Difficulty: Intermediate
Italy
Filmmakers Tinto Brass and Giuseppe Tornatore comment on how some elements of expressivity are shared between comic strips and the cinema.
Difficulty: Intermediate
Italy
Crepax's Valentina was an intriguing character because she openly reflected the sexual freedom of the late sixties and was attractive to both men and women. It was very "in" to be seen walking around with an issue of "Linus," an Italian comics magazine published in Italy beginning in 1965.
Difficulty: Intermediate
Italy
Among the pages of the comic strip, family members find familiar objects, drawings, and personal information from their everyday life. Although Valentina was a figment of Crepax's imagination, she was also an integral part of his family.
Difficulty: Intermediate
Italy
One of Crepax's techniques is to use the details of everyday life to build his stories and provide context. We even see the titles of the books in Valentina's bookcase.
Difficulty: Intermediate
Italy
Besides his much better known activity as a graphic artist, Crepax was a keen wargamer and wargame designer and collector of paper soldiers, drawn by himself.
Difficulty: Intermediate
Italy
Crepax loved playing at battles and would change the outcomes, using his friends to fine-tune the moves. He had some famous personalities as willing participants in the games, too.
Difficulty: Intermediate
Italy
Guido Crepax's son Antonio talks about the day Antonio Custra was killed in May of 1977, during an armed demonstration in Milan. This was during the so-called anni di piombo (years of lead), a period of social turmoil, political violence and upheaval that lasted from the late 1960s until the late 1980s, marked by a wave of both far-left and far-right incidents of political terrorism and violent clashes. Many demonstrators were arrested, but Antonio Crepax managed not to get loaded onto a paddy wagon.
Difficulty: Intermediate
Italy
Just as in Cubist art, Crepax would design his figures to be seen from various points of view simultaneously. Sometimes he would use small windows to attract attention rather than making them larger.
Difficulty: Intermediate
Italy
Who was the model for Valentina? Certainly, the actress Louise Brooks who portrayed Lulu in the movie Pandora's Box directed by G.W Pabst (based on two plays by Frank Wedekind), but also Crepax's wife, Luisa Mandelli.
Difficulty: Intermediate
Italy
Crepax's stories were based on imagination and vision. In those years, artists contaminated one another's works, and there was even a curious connection between Crepax's Ciao Valentina and Antonioni's Blow-Up.
Difficulty: Intermediate
Italy
Which came first? Blow-Up or Ciao Valentina? Which work stole from the other? In any case, there are some striking similarities.
Difficulty: Intermediate
Italy
We've come to the end of this journey to find Valentina. Philip Rembrandt continues to wait, and Valentina never forgets him.
Difficulty: Intermediate
Italy
Lojacono goes to talk with the Scognamiglios, where Teresa had worked as a maid.
Difficulty: Intermediate
Italy
Lojacono and Aragona talk to different residents of the building where Teresa was killed. Everyone has something to say about her.
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