Gioachino Rossini had great success as an opera composer at the San Carlo Theater in Naples, writing a large number of operas while still quite young. When he left Naples for Paris, he was replaced by another star composer, Gaetano Donizetti.

Oriana gets a chance to browse around in Alekos' studio before getting some sleep. The next day, she has to call the office and explain why she is still in Athens. Aleko shows up and has a surprise. He wants to enjoy his freedom, but has lots of work to do, too.

Today, Camilla, contrary to her normal routine, is all dressed up and early for school. Her daughter notices right away, as does the nosy custodian in their apartment building. We soon discover why.

Guido tries to talk to the Martini family about Lele Ju's intolerance, but Enrica dominates the conversation and doesn't hide her mistrust of Guido.

Rossella feels that it's her mission to show people this marvelous place. She dedicates part of her home to guests from all over the world.

Different people talk about their experiences: a hospital intensive-care worker, a bike courier, a 103-year old woman, some children, and the head of a family.

The roof is in bad shape, and Spartacus gives Nora the news. Fabiana is still not 100% happy with her dress and Dino loses his cool for a moment.

Alberto Angela continues showing us some of the details of the decorations within the San Carlo Theater. He recounts a special coffee beverage invented there, and an anecdote about the composer Gioacchino Rossini who was the musical director there for a time.

Panagulis tells Oriana about his 5 years in prison and how he survived it, including physical and psychological torture. She is riveted to the point of forgetting she has a plane to catch.

Camilla rushes home only to find Renzo and Livietta happily watching a soccer game on TV.

Gemma goes to talk to Adriano about her frustrations with Alberto. Guido has some news to share with Maria about Lele Ju.

This documentary follows the coronavirus from its beginnings in China to its arrival in Italy. Much of the material was contributed by ordinary people trying to live their lives in the midst of the pandemic.

Melody is all excited about her coming wedding, and her co-workers are about to drink a toast to that, when they get a visitor. Ugo is still quite mad at Nora, and she knows why. Fabiana is trying to choose wedding invitations and nothing quite fits the bill.

The San Carlo Theater was the largest in Europe. Alberto Angela focuses on the shape of the theater and provides some insight into what went on in the box seats.

What a wonderful place Pentidattilo had been, but then plastic arrived and pretty much ruined everything.