The French government is privileged to have two of Rome's most beautiful properties: Palazzo Farnese, which they rent for a nominal fee and use as their embassy, and Villa Medici, which is the home of the French Academy, and was procured by Napoleon. The narrator speaks of how the land on which Villa Medici was built was highly appreciated by the ancient Romans.

The segment focuses on the reasons behind the founding of the French Academy by Louis XIV

A tour of Villa Medici's reception and private rooms. Ferdinando de' Medici hired the architect and sculptor Bartolomeo Ammannati to expand the villa, as well as other renowned Florentines artists to create fresco cycles exalting his life. We catch a glimpse of his frescoed south-facing apartment, which would have been used in the colder months, while the north-side suite was for warmer periods.

We get a look at the plaster casts of Roman and Greek statues in the French Academy's storage rooms, sculptures such as the Venus de Milo. Fellows have made use of these casts to draw inspiration for their own works.

The segment focuses on Messalina, wife of the Emperor Claudius, who owned a villa on the site of Villa Medici. We catch a glimpse of tunnels and rooms beneath the villa, which were used by Ferdinando de' Medici to imprison Asian slaves when they weren't at work on a garden meant to evoke Mount Parnassus.

We visit the French Academy's gallery devoted to plaster casts of antique sculptures and the large park, which was once used by Ferdinando de' Medici for hunting.

The segment concentrates on two richly frescoed rooms that are set apart from the villa. Cardinal Ferdinando de' Medici used these secluded rooms for trysts.

Éric de Chassey, Director of the French Academy, details the mission of the institution.

Here is the trailer for a biopic about Oriana Fallaci, one of the most famous reporters in the world, who dedicated her life to her passions.

Strolling through Rome, we stop in front of the so-called statue of Pasquino, who, rebelling against the rigid regulations of the reigning pope, made the statue "speak" by using placards, registering his protest against the city.

This segment takes place in Pigneto, a Rome neighborhood, which hosts a "Mercatino del Pigneto," or flea market, where used items, collectibles, and crafts are sold. Here you'll find everything and at reasonable prices.

Both Giuseppe and Giorgio take the exam for the available position. They each have to diagnose a patient and the examination board isn't kind to either of them.

Moscati discovers what Aniello died of and feels profoundly aggrieved and powerless. He seems to have doubts about his role as a doctor.

Giorgio is getting settled in his new office and gets an unexpected and unwelcome visitor. Giuseppe has a big evening ahead of him with Elena and her father, but he gets some news he has to take care of and is delayed.

Elena is at the fancy dinner, and is worried about Giuseppe, but at the same time, she is fascinated by the after-dinner entertainment. Giorgio is taking advantage of Giuseppe's absence. Meanwhile, Giuseppe is working against the clock, realizing that his patient, from one of the poorest and most dangerous neighborhoods of Naples, has a terrible disease.

Moscati and his assistants do what they can, but they discover that the government has a different view of the situation.

Moscati tries to calm the crowd of people and help them understand that it isn't necessary to burn all their household belongings, and that cholera is transmitted through their drinking water. He promises to help treat them as Elena watches the scene from afar.

Giuseppe would like to spend more time with Elena, but at the moment there is too much to do at the hospital. A woman brings a baby to the door of a church to leave it, but she is suddenly taken ill and falls to the ground.

Cloe really does not want to stay in the hospital and Giuseppe finds a solution, but not everyone is thrilled about it.

Elena tries to convince her father that Giuseppe will change after they get married. He remains very skeptical. Giuseppe is spoon-feeding Cloe to give her some nourishment, meanwhile telling her how he decided to become a doctor.

Giuseppe goes to see Giorgio in his fancy doctor's office, hoping to convince him to see Cloe. It's clear Giorgio has chosen the career path of least resistance, and seems more interested in fine art and fine cigars, than in treating patients who need it.

Suor Helga is good at reading Giuseppe Moscati's moods and senses something is wrong. Giuseppe knows Elena is suffering on his account but at the same time, he can't help being dedicated to his patients over everything else. He writes Elena a letter and takes it to her house.

Nina goes back home to get some of her things and finds Cloe. She doesn't hide her resentment, but the two women end up having a conversation. Elena is clearly stufa (fed up) with Giuseppe never having time for her and she takes action.

Giuseppe, Cloe, and Nina have a relaxing moment together at home, but then a letter arrives for Giuseppe that challenges the lighthearted atmosphere they had created.