Michele finishes explaining what actually happened in prison. Later, his ex-wife and partner talk to Michele about the situation regarding the inquinamento (pollution) of the land the Nest is built on. Michele might have just the right know-how to be of help.

Michele is looking for a way to participate in the activities of the Nest. Iolda is the person he has to talk to about it.

Pasquale, who works for Michele, has managed to find some information favorable to Michele's case. Nicoletta finds out about the "night business" and asks Michele for some explanations.

Eleonora surprises Michele at the computer, where he shouldn't be. He is sure he will be leaving the Nest very soon and starts packing.

It is Michele's last night at the Nest (according to him), and he goes to say goodbye to some of the residents. Then he goes to dinner at his daughter's place so he can meet her new boyfriend.

Michele's daughter brings him coffee and he asks her for a favor. Later, at the assembly, the subject of pollution comes up and there is plenty of arguing.

Chiara goes to pick up Michele's jacket for him. At the Nest, there is an assembly to vote on Michele's proposal.

Mario has invited his friends from the co-op to lunch, where he tries to work out a deal with them to clean up the property. Eleonora sees Chiara putting something in her top drawer and is curious.

Having heard about the money from Chiara, Eleonora goes to see Michele to confront him on the issue. She feels he is leading Chiara astray.

Mario apologizes to the group and they decide to take up Michele's original solution, the night business. Iolde seems eager to develop romantic relations with Michele and comes on a little strong.

The two night workers take the cash and want to look around to take some measurements. Riccardo is shocked to see all the cash and asks Eleonora about it. Iolde is waiting for Michele, ready to have a glass of wine with him.

This documentary opens with some lines from a poem by Pier Paolo Pasolini, “10 giugno” from 1962. The famous filmmaker and poet talks about his life, beginning with his troubled relationship with his father.

Pasolini talks about his first book of poetry and what he realized about his country when it was published in 1942. He explains why reviewers wouldn't touch it.

Pasolini talks about the Italian language and how it has been transformed over the years.

Pasolini talks about how artists are always controversial. They are a living protest. His protest involves language and national identity.