Mario has invited his friends from the co-op to lunch, where he tries to work out a deal with them to clean up the property. Eleonora sees Chiara putting something in her top drawer and is curious.

Having heard about the money from Chiara, Eleonora goes to see Michele to confront him on the issue. She feels he is leading Chiara astray.

Mario apologizes to the group and they decide to take up Michele's original solution, the night business. Iolde seems eager to develop romantic relations with Michele and comes on a little strong.

The two night workers take the cash and want to look around to take some measurements. Riccardo is shocked to see all the cash and asks Eleonora about it. Iolde is waiting for Michele, ready to have a glass of wine with him.

Michele is at the Nest, but he's still under house arrest, so he has to do certain things because he's obligated to. Indeed, breakfast time arrives in the common room.

While everyone is sitting around the table, a phone call comes from the environmental agency saying they will come the next day. There is some panic. Michele keeps his cool.

Lorenzo Jovanotti, famous Italian singer-songwriter, celebrates the 150th anniversary of Italy’s Unification, on March 17th, 2011. He delivers best wishes to all Italians, and sings "Fratelli d’Italia" [Brothers of Italy], the Italian national anthem, otherwise known as the "Inno di Mameli" [Hymn of Mameli].

Måneskin is a band with four musicians who began playing together as students at the J.F. Kennedy High School in Rome. Their participation on X Factor brought about their phenomenal success. The band's name Måneskin means moonshine in Danish, and was a word that Victoria de Angelis, the bassist, knew from her Danish ancestry.

Massimiliano is a musician, and together with his friend Stefano, and the mascot Cuba, he's trying to introduce the group to record labels. In addition to talking about his dream, he talks about Garbatella, the neighborhood where he was born, and which he wants never to leave.

In World War I, Italians who up until then had spoken their regional dialects, found themselves fighting side by side against a common enemy. But Mussolini was interested in fighting the internal enemy.

The nineteen twenties ushered in sound in cinema. Italy's L.U.C.E. [L'Unione Cinematografica Educativa or Educational Film Union] was founded in 1924 and generated the fascist regime's cinematic propaganda.

Soon after the introduction of talkies, dubbing came about in the thirties. Dubbing was extremely popular in Italy and remains so today.

Schools in fascist Italy banned the study of dialects and moved to using standardized textbooks. The fascist hymn “Viva Adua nostra” refers to a battle won by the Kingdom of Italy in 1896 near Adwa, Ethiopia.

This segment opens with a sort of poem, demonstrating how kids growing up in fascist Italy were expected to behave. Minority groups had a pretty hard time, too.

Mussolini inveighs against the middle class, saying that it is the enemy of fascism. Much of the footage in this segment features EUR, the Rome district that was built in the 30s and 40s.