Difficulty: Adv-Intermediate
Italy Sicilian
Saint Rosalia (1130–1166), recognized by her crown of roses, is Palermo's patron saint. The video shows the July 14 parade in honor of the saint, and a young man who credits his cure from a grave illness to Saint Rosalia.
Difficulty: Adv-Intermediate
Italy Sicilian
The segment concentrates on the richness of the Sicilian dialect, a dialect which is less and less spoken. The narrator interviews two poets who recite their works in Sicilian, providing insights into the language.
Difficulty: Adv-Intermediate
Italy Sicilian
Giuseppe Pitrè received his degree in medicine in 1865. His patients, among Palermo's poorest, provided him with a wealth of ethnographic material.
Difficulty: Adv-Intermediate
Italy Sicilian
A woman performs a traditional Sicilian ritual involving the sticking of pins into an onion, accompanied by prayers, in order to bring back the boyfriend of her suppliant.
Difficulty: Adv-Intermediate
Italy Sicilian
Giuseppe Pitrè loved attending performances of chivalric folk plays in Palermo. This segment follows a marionette player at Palermo's Opera dei Pupi, the same theater where Pitrè went to see folk epics.
Difficulty: Adv-Intermediate
Italy Sicilian
Palermo faces the sea and has a very long history of immigration. The narrator interviews a young woman whose great grandfather came to Sicily from Sudan. She is involved in educating immigrants from Africa and Asia. Pitrè was also highly involved in education.
Difficulty: Adv-Intermediate
Italy Sicilian
A Palermo doctor is interviewed about his practice and the African and Southeast Asian immigrant patients that he treats.
Difficulty: Adv-Intermediate
Italy
A Palermo doctor discusses the Integration of immigrants in Sicily and highlights the successes in healthcare. Medical assistance is provided for all immigrants, whether lawful or not.
Difficulty: Adv-Intermediate
Italy
The documentary comes to a close with an interview regarding a prison cell used during the Inquisition. The cell bears the graffiti of its inmates. Pitrè had laboriously uncovered the graffiti, but it was only rediscovered in the 1970s by the writer Leonardo Sciascia and the interviewee in this segment, Giuseppe Quatriglio, who used Pitrè's writing to find it.
Difficulty: Adv-Intermediate
Italy
An agreement has been signed between Enel (Italia's leading electric company) and Piaggio (a leading motorized vehicle manufacturer) for the development of electric mass transportation and for studying innovative solutions for the safeguarding of the environment.
Difficulty: Adv-Intermediate
Italy
Francesco is in the Province of Avellino and talks to us about one of the Campania Region's most important archaeological sites: the Norman Castle of Avella, destroyed and rebuilt numerous times, but well preserved nonetheless.
Difficulty: Adv-Intermediate
Italy
The excursion to the Castle of Avella continues and we see the preserved walls of this historic place. Places such as this are common in Campania, thanks to the numerous civilizations that passed through this region in earlier times.
Difficulty: Advanced
Italy
An exclusive interview with the world-famous Italian film director and screenwriter, Federico Fellini.
Difficulty: Advanced
Italy
Fellini, interviewed at the Trevi Fountain, during the filming of La Dolce Vita, discussed his relationships with producers.
Difficulty: Advanced
Italy
Fellini describes his relationship to a producer who became so exasperated by the director, that he drank ink in mock suicide.
Difficulty: Advanced
Italy
Crowds of Romans gather to watch the filming of Anita Ekberg in the Trevi Fountain. Federico Fellini tells of his inspirations for the film La Dolce Vita.
Difficulty: Advanced
Italy
Fellini tells how La Dolce Vita scenes were filmed both on the Via Veneto and on a set reconstructing the famous street in Cinecittà. The director also discusses his being a Capricorn.
Difficulty: Advanced
Italy
Federico Fellini discusses Marcello Mastroianni's role as "everyman" in La Dolce Vita. He encourages viewers to see Mastroianni's "passions, hopes, fears and cowardice, and anguish and sleaziness" as similar to their own.
Difficulty: Advanced
Italy
Fellini is at Cannes for the festival and screening of La Dolce Vita. He tells of his ironic encounters with unusual characters, who complain about the oddity of Fellini's movie characters.
Difficulty: Advanced
Italy
At the Cannes festival, Fellini talks about La Dolce Vita, as does Georges Simenon, president of the jury, who proclaimed its success by standing up and applauding.
Difficulty: Advanced
Italy
Fellini talks about being an artist and about not being afraid to face one's doubts in order to carry out a mission.
Difficulty: Advanced
Italy
Fellini discusses the reception of 8½ in Russia, and his hopes for the film at the 1964 Oscars.
Difficulty: Advanced
Italy
Federico Fellini, having won three Oscars, talks about the Academy Awards and how they represent the goal of every filmmaker both in the U.S. and abroad. He goes on to talk about American cinema as mythical, legendary.
Difficulty: Advanced
Italy
Fellini loves working with Marcello Mastroianni. He tells us why, and in doing so, tells a great story about a fake bullet wound.
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