Surrounded by her friends, Ilaria makes a video call to her parents. She downplays the situation but her father is pretty upset.

Every serious vintage car collector must have a Ferrari Daytona. Some of the characteristics of this car are described in this segment.

This series begins with Diabolik, the greatest criminal of Italian comics or fumetti as they are called because of the "clouds of smoke" (speech bubbles) present in comic strips. Fumo means "smoke." In this segment, various personalities describe the character Diabolik, both the good and the bad.

As sometimes happens, something Pietro says, even in an intimate moment, reminds Imma of some detail in the case. Off she goes with Calogiuri to try for some new leads.

Ilaria finally concludes the video call with her parents. She told them the father of her child had died in a car accident and all her father could think of was the insurance money.

The revision of the Ferrari Daytona Spider continues. The result gives the car extra value on the vintage market.

Diabolik drives a Jaguar, but not an ordinary Jaguar. He is able to transform the car in order to facilitate escaping when the need arises. In a way, both Diabolik and his car wear masks and assume different identities.

The friends go into Ilaria's ex's house to find something of value to steal.

For its time, the Ferrari Daytona Spider was incredible to drive, with its twelve-cylinder engine and impressive horsepower.

The creators of Diabolik had commuters in mind. They wanted to create something engaging that one could read in the time of a commute, and which was pocket-sized. We also discover why the name Diabolik ends with a K.

After Cioni has a little encounter with a watermelon, they go back to the apartment and talk about what to do with the stuff they stole. This leads to a conversation about why things went south between Ilaria and her ex-boyfriend.

We take a look at the Maserati Khamsin, produced during the oil crisis of the nineteen seventies. It didn't need much restoring and was particularly comfortable.

At the beginning, the Giussani sisters decided to hide their identities as women. Even so, it was not easy finding distribution. And there were other mysteries, as well, surrounding the early days of the iconic comic book, Diabolik.

Imma and Calogiuri enter the cave where the footing is uneven and the two are thrown together. The police have found the boy and De Nardis is called into headquarters for more questioning.

Ilaria and Francesca get into a heated discussion about their pasts and their futures. Ilaria has to deal with a pregnancy and Francesca has to either follow Vincenzo to Iceland or go her own way. It's pretty clear that he intends to take his new job.