Cioni and Vincenzo are having a rather inebriated conversation in the little swimming pool on the roof. In the house, the friends are proposing some strange ideas of using up some old hallucinogens that have sat there unused.

The artists talk about the process of designing the comics, and how the characters evolved in terms of design, over time, from designer to designer.

This segment looks at the intimate relationship between a collector and the car. Sometimes price doesn't matter.

The friends are taking care of the paraphenalia from their days at the theater. They muse on the past and the future.

De Nardis ends up confessing to how things went. He is held responsible for both Stella's and Eustacchio's deaths. Imma is still perplexed, however.

Over time, Diabolik's outfit and facemask are transformed. His nemesis is a police inspector with sound morals, an interesting past, and a fascinating love interest.

We continue to look at the Maserati Khamsin model, which got its name from the Egyptian desert wind and has always been a symbol of aristocracy.

Ilaria and Francesca get into a heated discussion about their pasts and their futures. Ilaria has to deal with a pregnancy and Francesca has to either follow Vincenzo to Iceland or go her own way. It's pretty clear that he intends to take his new job.

Imma and Calogiuri enter the cave where the footing is uneven and the two are thrown together. The police have found the boy and De Nardis is called into headquarters for more questioning.

At the beginning, the Giussani sisters decided to hide their identities as women. Even so, it was not easy finding distribution. And there were other mysteries, as well, surrounding the early days of the iconic comic book, Diabolik.

We take a look at the Maserati Khamsin, produced during the oil crisis of the nineteen seventies. It didn't need much restoring and was particularly comfortable.

After Cioni has a little encounter with a watermelon, they go back to the apartment and talk about what to do with the stuff they stole. This leads to a conversation about why things went south between Ilaria and her ex-boyfriend.

The creators of Diabolik had commuters in mind. They wanted to create something engaging that one could read in the time of a commute, and which was pocket-sized. We also discover why the name Diabolik ends with a K.

For its time, the Ferrari Daytona Spider was incredible to drive, with its twelve-cylinder engine and impressive horsepower.

The friends go into Ilaria's ex's house to find something of value to steal.