Imma is talking with Mottola to find any connections with Don Mariano's death. He is accusing the deceased of not having helped him, and at a certain point, she says: Ma si rende conto? (but do you have any idea?) For more on this expression see our lesson. Back home, Imma is irritable, but she can't talk to her daughter about the real reasons she is upset.

While everyone is sitting around the table, a phone call comes from the environmental agency saying they will come the next day. There is some panic. Michele keeps his cool.

Marioni asks Sara for help with Matteo. In the evening, Matteo is out walking with his uncle who is being a bit over-protective.

It was crucial for the different cartoonists to keep to the Tex standard. This meant getting the hats right. There was also an amusing homage on the part of Sergio Bonelli to one of Sergio Leone's "spaghetti westerns."

Imma goes to the hospital and can't help looking at Pietro's phone while he is sleeping. Back at the office, Diana is in tears because her husband wants a separation.

Michele is at the Nest, but he's still under house arrest, so he has to do certain things because he's obligated to. Indeed, breakfast time arrives in the common room.

Marioni tells the orchestra what he has in mind to help Matteo get integrated into the orchestra. The students involved begin to get organized by sharing their phone numbers.

Tex is a character who resembles his creator, who in turn also has his own points of reference. Let's also see what's behind a Tex cover.

Imma goes to the Foundation where Don Mariano had his office. She and the team look for the tablet and talk to the young man who helped out there. They also talk to the housekeeper Ilona, who says there were plenty of people out to get Don Mariano.

During the orchestra rehearsal, a player makes a mistake and Marioni, the conductor, doesn't hesitate to press the point, in his usual cruel manner, that an orchestra is not a democracy.

The poor condition of the Bianchina the expert is restoring does not make the car any less iconic. Let's see what characteristics impact the valuations of two different models.

This segment looks at Tex's son and "pards" (partners). And we get some answers about why he doesn't have a girlfriend.

Imma is still worried about her husband ending up in the hospital when, back at work, Diana has bad news for her. Imma remembers her appointment with Don Mariano, but that's not the worst of it.

The green Bianchina is not in very good condition, beginning with the engine, where there are serious oil leaks. René Arnoux, in the driver's seat, discusses the dashboard with its buttons and lights.

Gianluigi and Sergio Bonelli both wrote Tex stories, but they had different approaches, and their relationship was complex on a personal level. We learn about what inspired the images of the countryside where Tex and Carson would roam.