Tamara and Tania show some of the items that can be bought either unfinished or decorated in their shop. They demonstrate the use of glass paints and outline the steps used in decoupage.

Tamara shows us how to use a simple stencil to turn a plain paper bag into a gift package.

Tamara, with Tania's help, continues with the decoration of a gift bag. The glue and glitter technique can also be used on handbags or t-shirts.

Tamara uses a synthetic modeling clay in her shop to make necklaces, personalized plaques, and much more. She uses a special kind of glue for this material.

Dubbing has all sorts of uses, but certainly one of the most fascinating ones is making us believe an actor is speaking our language when we go to see a foreign film. Arianna takes us through the basic phases.

Now that Arianna has explained what dubbing is, she demonstrates the dubbing process itself, using a video from Yabla English.

Marino meets Silvana and they start chatting by the sea. They discover that their professions are related (naturopathy and body-psychotherapy) and they enjoy sharing ways of looking at emotions and symbols.

Edo is an illusionist, and with Eleonora's assistance, he shows us some tricks with newspaper cuttings and a deck of cards, all with Mount Vesuvius as a backdrop.

Franco Calafatti shows us his marvelous shop filled with spices. He brings us into his world, his special relationship with the spices, from traveling the world in search of the plants, to the harvesting, to the sorting, to the crushing.

Erica, from a small city in Tuscany, talks about her great passion: archeology. She has been lucky enough to be able to combine this passion with another one — tourism – in her current job.

Erica welcomes us to the tourist office where she works. She tells us all about it.

Erica describes one of the workshops she does for kids. It's all about learning how prehistoric man made fire from materials found in nature. Stay tuned for a practical demonstration of this!

Erica studied English at school, but was lucky enough, during high school, to travel to a country where English was spoken every day. That's where she learned the most, by living and breathing it.

For many Italians, putting up a presepe (manger scene or crèche) at Christmas time is as, if not more important than putting up a Christmas tree. Antonio talks about the traditions concerning its origins, two thousand and eleven years ago.

Antonio explains that the Italian tradition of constructing a nativity scene during the Christmas season had it origins in the thirteenth century, when Saint Francis of Assisi organized the first live re-enactment of the birth of Jesus. It soon spread to all of Italy, but above all to the Kingdom of Naples, where everyone got involved, from the poorest family to the King himself.