After talking about the past, Vera and Giuliano talk about what they'd like to do in the future: There are places to visit and revisit.

There's a press conference announcing the success of the investigation. Rather than singling out Lojacono and Aragona, Palma gives credit to his entire team, as well as to Dr. Piras.

Vera and Giuliano are each true fans of the other. But Vera can't help preferring Giuliano's directing artistry to his acting skills.

Lojacono and Aragona, with De Lucia's recounting, are able to reconstruct the murder. We then learn what was written in the letter the notary's wife sent to him.

Sister Helga and Moscati give the patient a bath and talk about how medicine is nothing without love. Moscati has some unorthodox teaching methods, as well as some novel "therapy" for his patients.

Vera and Giuliano share some memories about how they found some of their ideas for movies. They also talk about Giuliano's acting, which was not always appreciated.

Having discovered who bought the glass globe, Lojacono and Aragona could easily figure out who had killed the notary's wife. They go to see the suspect.

Giuliano Montaldo received a great many proposals for movies. But he remained amazed to encounter so many people who loved the cinema as much as he did.

Lojacono and Aragona scour the city to find a glass globe like the one that killed the notary's wife.

Moscati can't find Aniello in the hospital and discovers he had run off. Moscati goes out looking for him.

The first screening of the Gold Rimmed Glasses was a success. Even Bassani, who had written the novel the film was based upon, had good things to say. Inti and her mother comment on the relationship between Vera and Giuliano.

The pressure is on Palma, and consequently on his team, to solve the murder alla svelta (quickly), but they haven't gotten very far. They are still in alto mare (a long way away).

Rita Levi Montalcini was a strong proponent of education and instruction as the means to gain freedom. She was also an example of it. This segment describes a visit to women in prison, and the obstacles Montalcini had to face, as a woman and as a Jew, during the Nazi-Fascist regime.

If two important works of Piero's survived the bombings during World War II, it was due to the efforts of art historians and restorers such as Ugo Procacci. In addition to the Resurrection, a wonderful painting of the Virgin Mary as she was expecting a child, "La Madonna del Parto" was saved and is now housed in the museum in Monterchi, Arezzo.

Giorgio goes to see Cloe perform, but afterwards, he makes an important decision. Giuseppe finally finds Aniello, who is not doing well at all.