Lorenzo Baglioni, a Tuscan pop star, sings a tune on il congiuntivo (the subjunctive). He remarks that the subjunctive is particularly useful for lovers. Note that the Italian subjunctive, out of context, can have various different solutions in English, and sometimes doesn't correspond at all.

Camilla visits Marta to try and talk some sense into her, but then they both look out the window and see trouble coming in the form of two thugs Marta recognizes. Of course, Renzo is blithely reading the paper in the car, and has Camilla's cell phone. What to do?

Marika and Arianna discuss the Erasmus Program, a student exchange program that was founded in the late 1980s. It allows European university students to study at other EU country universities. The program is named after the Dutch humanist, Erasmus of Rotterdam (1466-1536).

Confindustria is the main trade association for Italy's manufacturing and service sectors. This inspirational video was produced for its annual meeting, and Italian luminaries from Marco Polo to Renzo Piano are invoked to tell the story of Italian innovation.

Camilla's husband and daughter watch the video recording of the missed game on TV while Camilla decides what to do the next day (with the help of her dog), and enlists her husband's help.

We can see that the battle against using "Lei," the common, formal, second-person form of address, was taken very seriously by the fascists. In fact they went too far when it came to a popular women's magazine called "Lei" (she, her).

Tamara, with Tania's help, continues with the decoration of a gift bag. The glue and glitter technique can also be used on handbags or t-shirts.

Camilla goes to the police station to identify the two thugs who had attacked her, and who sold the drugs to Marta. She also confronts Marta who has been brought in for questioning, and who is wondering who on earth Camilla is, and what she wants from her.

Mussolini continues to get rid of any traces of foreign words, and even mounts an exhibit against the use of the common formal second person singular address "Lei" (you) in favor of "Voi." See this lesson about "Voi" to get some background.

Camilla is taking risks to figure out who killed Nicola. But Commissioner Berardi shows up in time to whisk her away. He's none too happy about her interfering, but in the end, she gives him a hand by identifying some suspects.

Arianna has been made the head of a new marketing team. Too bad the woman reporting to her let things go sideways.

Tamara shows us how to use a simple stencil to turn a plain paper bag into a gift package.

Camilla gets her husband to help with the case by invoking her dead father and concocting a story about playing Lotto.

A great deal of effort went into purging foreign words from the Italian language under the fascist regime. Newspapers, magazines, and book publishers were at the forefront of the effort and were tasked with finding Italian replacements for foreign words and expressions. Many fascist-era terms have fallen by the wayside, but some succeeded and are still in use today. As an example, the word manifesto [poster] was successfully introduced to replace the French term affiche.

Commissioner Berardi shows up at the gallery opening, and Camilla exchanges a few words with him. This doesn't go unnoticed by the gallery owner, who is very curious. Meanwhile, Camilla's husband has a bizarre conversation with the artist.