Highlights include a church straddling the Romanesque and Gothic in Celano, and Massa d'Albe (the Roman city of Alba Fucens), where there is an amphitheater excavated from rock. The word arena comes from the Latin word harena, or sand. Sand was used on arena floors to catch the blood lost during gladiator games and the like.

Antonella talks about her relationship with the people who come into the shop, especially older women who still care about being beautiful, and who are beautiful, inside and out.

The tour draws to a close in Rome's rougher neighborhoods, those that were particularly fascinating to poet and filmmaker Pier Paolo Pasolini.

Yabla takes us to a shop specialized in beauty products. There's plenty of new vocabulary here!

What does it mean to be a European? Is the variety of languages in Europe an obstacle to actual unification? Umberto Eco explores these questions and offers some interesting insight.

The Abruzzo Region, sometimes known as the Abruzzi with an i in older publications, is the area of interest for this six-segment video. This segment concentrates on the Piccolomini Castle in Marsica.

Rome's many bridges are the focus of this video, including the Ponte Rotto, which dates back to ancient Rome. Only part of the Ponte Rotto is still standing and this is why it is called rotto or broken. Rivers are masculine in Italian, and ancient Roman statues portray River Gods as recumbent elderly men with long beards.

We visit the cemetery where the English poets are buried, and learn about the relationship between the Tiber River and the city of Rome.

The narrator reads some moving passages from the letters of John Keats and Fanny Brawne. Giacomo Leopardi, the Italian poet and near contemporary to Keats and Shelley, also lived in Piazza di Spagna.

Anna shows the baby changing area that she's set up in her apartment. She talks about many baby care products, and the segment provides a great lesson in diminutives.

The segment touches on Byron and Shelley, but is mostly about Keats and his time in Rome. It also includes part of a beautiful love letter to Fanny Brawne. The narrator speaks of Keats living on the second floor. The Italian way of counting stories is to call the first floor, the ground floor, and the numbering starts above.

More dreamy interiors of the Coppedè complex and an introduction to the Keats–Shelley House in Piazza di Spagna.

The segment shows us some interiors in Coppedè's dream-inspired complex.

The series on Umbria ends with amazing landscape shots of Castelluccio, including fields of poppies, cornflowers, and lentil flowers. Castelluccio's lentils are justly renowned.

Rome's Coppedè Quarter is the focus of the segment. Its eclectic style is difficult to characterize, but the narrator talks of the liberty style, which stems from the Liberty department store in London. In English, we know this style by the French term, Art Nouveau.