In a Q & A, Pasolini explains to a journalist what he means when he refers to the elite. In another clip, he asks people on the beach about sex.

Pasolini doesn't want to talk about his enemies, but does talk about the people he loves the most: simple folk, who might not have even finished grade school. For his early films, he took inspiration from Antonio Gramsci.

In this segment, we're on the set with Pasolini as he shouts directions to Totò through his megaphone, and at the same time discusses the shoot with his crew. Naturally, authenticity often means people speak over each other, so it's hard to understand what is said. Then, Pasolini is asked by a journalist about his views on neorealism and here, the speech is clearer (and interesting), so don't give up!

Pasolini talks about how artists are always controversial. They are a living protest. His protest involves language and national identity.

Pasolini talks about the Italian language and how it has been transformed over the years.

Pasolini talks about his first book of poetry and what he realized about his country when it was published in 1942. He explains why reviewers wouldn't touch it.

This documentary opens with some lines from a poem by Pier Paolo Pasolini, “10 giugno” from 1962. The famous filmmaker and poet talks about his life, beginning with his troubled relationship with his father.

Inspector Barreca gets to where the Italo-Australian has been stopped and fiddles with something without being seen. In the locker room of the stadium, Del Vento enjoys his victory shower, a moment he always looks forward to. Then he sets out towards Calabria to visit some relatives.

We're at a police station, where the printer is acting up and a phone call comes in from a patrol car. We also hear what happens after the soccer game when the president of the Teramo Calcio comes to congratulate the team.

Fulvio and Fabia take turns reading an extract from the book, Crimine infinito (Infinite Crime). The novel is based on the true story of a soccer player who gets involved in the 'Ndrangheta, the Calabrian organized crime syndicate.

L'Eredità [Inheritance] is an immensely popular daily quiz show on the RAI [pronounced rye], the Italian public TV and radio network. This episode benefits the Telethon Foundation, which provides funds for research into genetic diseases, and is based on Jerry Lewis's Telethon. To understand the play on words they use at a certain point, see the various meanings of macchina here. Learn more about this Italian game show here.

Gualtiero Marchesi describes both his old and the new versions of Pollo Kiev (Chicken Kiev). Relatively simple and tasty, especially if you like butter!

Being a man of culture as well as an expert chef, Gualtiero Marchesi has found himself being inspired by artists. He talks of dripping food onto a platter, much as Jackson Pollock would drip paint onto a canvas.

Italian cuisine in the fifties reflected both the economic prospering, and the cultural growth of a population that had also begun opening up to new horizons through the birth of tourism.

Various experts talk about their memories of Milan back in the fifties: Sunday morning rituals of getting pastries from the "best," bars, eating big meals twice a day, the cathedral square with its tram and neon lights, and so forth.