Besides his much better known activity as a graphic artist, Crepax was a keen wargamer and wargame designer and collector of paper soldiers, drawn by himself.

Even though the tomato is an immigrant in Italy, it has become synonymous with Italian cooking. The soil produced by Vesuvius and the mild climate of the area around Naples and Salerno have allowed the San Marzano tomato to become King.

One of Crepax's techniques is to use the details of everyday life to build his stories and provide context. We even see the titles of the books in Valentina's bookcase.

Among the pages of the comic strip, family members find familiar objects, drawings, and personal information from their everyday life. Although Valentina was a figment of Crepax's imagination, she was also an integral part of his family.

Valentina's success coincided with the beginnings of feminist movements in Italy. She depicted a woman who was strong and independent, who could do anything a man could do, a departure from the stereotype of the Italian housewife.

Crepax's Valentina was an intriguing character because she openly reflected the sexual freedom of the late sixties and was attractive to both men and women. It was very "in" to be seen walking around with an issue of "Linus," an Italian comics magazine published in Italy beginning in 1965.

Filmmakers Tinto Brass and Giuseppe Tornatore comment on how some elements of expressivity are shared between comic strips and the cinema.

In 1963 Crepax got his start in the world of comic books and two years later created his famous character, Valentina. The comic strip first appeared in the anthology comic book, "linus," founded by Giovanni Gandini, who had known Crepax as a kid.

Crepax started out with one protagonist, Philip Rembrandt, but gradually phased him out, along with his superpowers. Valentina then took over as the protagonist. Crepax talks about Milan in the sixties.

Margherita left a legacy of progress, both scientific and social. Perhaps she is still looking down on us, since an asteroid was named after her: 8558 Hack.

This documentary is about Guido Crepax, the creator of a famous fumetto (comic strip) that came out in 1965. The main characters are Philip Rembrandt, an art critic, and Valentina Rosselli, a photojournalist.

Even though Aldo and Margherita were very different in many ways, they came together in their skepticism. Towards the end of her life, Margherita couldn't move around much, but her brain never stopped going.

In this segment, Margherita talks about her choice not to have children and also discusses her position regarding God. She can't prove he exists nor can she prove he doesn't.

We discover that Margherita Hack was a devoted fan of the long-running TV series, Un posto al sole [a place in the sun]. She explains why. Francesca goes back to Trieste and meets up with Eda who talks about having lived in the same house with Margherita Hack.

Margherita Hack spent some time in politics and was also an entrepreneur at times. But she had a lot of fun, too. On the panel with Camilleri, the author of the Montalbano stories, they all come out (in unison) with the famous introduction Montalbano sono (Montalbano, I am). Putting the verb at the end is typical of Sicily, where the story takes place. Otherwise, it would be Sono Montalbano (I'm Montalbano) or, on the phone, "This is Montalbano."