Nora and Ugo are now officially divorced and plans for the future are being made. It also happens to be time for Ugo's aunt to come back from her trip abroad.

Tomassoni is dead and there is a death warrant out for Michele. Costanza and her son have to make some new plans, as not even Naples is safe for Michele.

Camilla goes to see Ilenia, who is home with her mother, and they discuss the situation. At home, it looks like Camilla's mother has an announcement to make, because she invited the family for a lasagna dinner.

Imma manages to get a good amount of information from Lolita about Donata's relationship with Lombardi.

The photo of the dead girl reminds Lojacono and Aragona of the statuette they had seen in Marino's shop and Lojacono goes there to have a little chat with the man.

Ugo and Nora have very contrasting moods and intentions when they get to the courthouse for their divorce hearing.

It's time for the students to read their essays about living in another time. But Joy refuses. Nobody can figure her out.

Ranuccio and Michele have a real duel. It's bloody and violent.

Camilla's mom tells her about her sushi dinner. The next day, Camilla convinces Ilenia to talk to Inspector Berardi. He shows her the picture of the dog he had recovered from the dead body.

Imma goes to Cinecittà to find Lolita. They manage to have a conversation about Donata Miulli, the victim.

Lojacono and Laura are discussing the case at the crime scene when they discover someone listening to them. This adds a new element to the investigation. As they are leaving the building, they run into the former door person, Rosetta, who is curious about the case. Back at headquarters, Ottavia does some research and Pisanelli's memory is jogged about an old case.

As he leaves the hospital with his wife, Luigi talks about how his perspective changed having had an experience such as he did.

Before the guests leave, the mother of the bride has a couple of questions for Nora and Ugo, translated by Emebet's brother. Nora is emotionally affected by what he says. Melody and Dino look on.

As we suspected, Melissa used the bathroom as an excuse to talk to Stefano. Joy is at home, but tells her mother everything is fine. Alice shows up and the focus of the conversation goes to Alice and Max.

Once again, Caravaggio is criticized for using a woman considered to be a prostitute in a painting of the Virgin Mary. This time, there are consequences for Lena, too.