Anna and Marika tell the first part of the story of Violetta and Alfredo, their falling in love and their decision to live in Paris together. But their happiness doesn't last...

Violetta writes a letter of farewell to Alfredo. He is miserable, but hears of a party where he is sure to see her. But there, things go from bad to worse. Alfredo ends up having to live abroad, and Violetta's illness gets much worse. Will they ever be able to embrace each other again?

Verdi's Rigoletto: intrigue, love, passion and cruelty. Brought to you by Anna and Marika.

Giuseppe Verdi's Rigoletto: more passion, intrigue, love, and cruelty at court. The curse is fulfilled!

Meet the characters from The Barber of Seville, an opera by Gioacchino Rossini that was first performed in 1816: brought to you by Anna and Marika.

Anna and Marika tell us the story of Rosina, who in the midst of deception and intrigue, ends up getting married. But to whom? The one she loves, or the one who wants her at all costs?

Anna takes us to Paris, to a cold, dark attic room where she tells the beginning of the tragic but very romantic story of La Bohème.

In this second and final segment of La Bohème, Anna, as Lucia, goes on to tell us about her life. What will become of her?

Anna tells us the tragic story of Cio-cio-san, protagonist of Madam Butterly, an opera by Giacomo Puccini, libretto by Giuseppe Giacosa and Luigi Illica. The opera was dedicated to the Queen of Italy, Elena di Montenegro.

Anna shares Giuseppe Verdi's tragic story of love, war and taboo in ancient Egypt.

Anna recounts the story of Tosca, an opera singer who is in love with the painter Cavaradossi. Puccini's opera was first performed in Rome in 1900.

Caravaggio is a TV mini-series based on the life of the Italian painter Michelangelo Merisi da Caravaggio. It opens in 1577 when the painter was 5 years old. The plague had just hit and people who were still alive were burning their household possessions.

Some years have passed, and Michele's widowed mother has had some difficult decisions to make regarding her children. One of these is to send 12-year-old Michele to Milan to be an apprentice at the workshop of the well-known artist, Simone Peterzano. Michele has no desire to leave home and family.

Michele has a rough time of it in Master Simone's workshop. It's clear, however, that he has talent. A Knight of Malta comes into the workshop to have a look.

Michele manages to find a home for his painting, and receives something in exchange. Still at Maestro Simone's workshop, he grows up into a man and ends up trying to defend a young apprentice from being abused as he had been.