Pasolini talks about how artists are always controversial. They are a living protest. His protest involves language and national identity.

Pasolini talks about how he moved from literature to cinema, and how his ideas about language changed. He talked about providing Italians with an opportunity to demonstrate racism, perhaps for the first time, with his movie, Accattone.

In this segment, we're on the set with Pasolini as he shouts directions to Totò through his megaphone, and at the same time discusses the shoot with his crew. Naturally, authenticity often means people speak over each other, so it's hard to understand what is said. Then, Pasolini is asked by a journalist about his views on neorealism and here, the speech is clearer (and interesting), so don't give up!

Pasolini is asked what he thinks about progress and development. He is also asked about the inspiration he seems to have taken from subjects of the New Testament of the Bible.

Pasolini doesn't want to talk about his enemies, but does talk about the people he loves the most: simple folk, who might not have even finished grade school. For his early films, he took inspiration from Antonio Gramsci.

In a Q & A, Pasolini explains to a journalist what he means when he refers to the elite. In another clip, he asks people on the beach about sex.

Still on the beach, Pasolini asks more people their opinions on divorce, which became legal in 1970. The second part of this segment is part of a 1969 episode of Processo alla tappa, a TV talk show devoted to the Giro d'Italia (the Tour of Italy), a famous, 21-stage bike race.

Pasolini explains the difficulty of framing a city through the lens, only for it to be ruined by modern buildings that seem to have nothing to do with the form of the city itself. He wants anonymous, simple poetry to be preserved just like the works of Dante and Petrarca.

Oriana Fallaci was a famous journalist, writer, and activist. This biopic starring Vittoria Puccini recounts some aspects and episodes of her multi-faceted life. See the trailer here, or, if you're not yet a Yabla subscriber, see it on YouTube.

Lisa's goal in meeting with Oriana is an interview, which Oriana clearly does not want to give. But she tells about when she was a ruthless interviewer herself, in both Italy and the U.S.

Oriana has to argue with her boss to be able to go around the world interviewing women. In 1961, she manages to fly to Pakistan but is frustrated by how hard it is to even talk to another woman.

Oriana writes about the conditions of Muslim women in Islamic countries. In 1967, she goes to South Vietnam, a country being torn apart by war.

Welcome to Saigon! Oriana goes to the press office and meets François Pelou, a war correspondent from France. There is a crisis going on and together, they attempt to head it off.

François Pelou e Oriana Fallaci walk around the streets of Saigon and go into a nightspot where the soldiers spend time with Vietnamese girls. The next day they get some instructions from the military for staying healthy and safe during their stay.

Oriana gets onto a helicopter with the troops. And she ends up in the thick of things.