The documentary follows journalist Annalena Benini on a journey through Italy discovering writers in the places that shaped them. The first stop is Naples, told through Valeria Parrella: an intense and complex city, where landscape, memory and daily life intertwine with literature and the identity of authors.

Valeria Parrella recounts her deep and complex bond with Naples, a city that is all about language, identity, and memory. Through Almarina, a Naples that is 'wonderful and terrible' emerges, but also a place of freedom, growth, and hope.

Author Valeria Parrella talks about the connection between her novel Almarina and various locations within Naples: Nisida (a volcanic islet that houses a juvenile detention center) and Bagnoli (a seaside neighborhood of Naples). What emerges is the portrait of an intense and contradictory city, marked by working-class identity, the sea, and the reality of juvenile prison.

Valeria Parrella talks about her intense and contradictory bond with Naples and the neighborhood she lives in. The full-time innovative Donna Assunta school overlooks the sea, but faces Nisida, the juvenile detention center. Naples, she says, is not a city you can just live in and ignore, and has become for her an inexhaustible source of literary inspiration.

Valeria Parrella talks about her relationship with Naples and her way of writing about it, based on direct observation and listening to people, far from the usual stereotypes. Her writing stems from an "intermediate" point of view, close to everyday reality.

Valeria Parrella talks about how light and hope are central elements of her writing, even in the most difficult stories. The journey then continues to Salerno, where a meeting with writer Diego De Silva offers an insight into his career and the themes of his novels, touching on social reality, irony, and human relationships.

Serena is near one of the beaches of her town, Maratea, where she lives with her family and she tells us a few things about herself.

Serena takes us to visit her house, where besides all the things her mother collects, there's a fireplace, and a view of the sea.

What does it mean to be a European? Is the variety of languages in Europe an obstacle to actual unification? Umberto Eco explores these questions and offers some interesting insight.

This documentary about the life of Vittorio De Sica, Italian actor and film director, is narrated by Marco Paolini. We begin during the occupation by the Nazis. Vittorio is in Rome shooting a film.

Vittorio De Sica did different kinds of movies, both as an actor, and a director, and had great success, although critics appreciated his comedies more than his serious movies. Whatever kind of film he was directing, he laughed and cried along with the actors. They loved him.

When the Americans bombed Rome in 1943, Maria was shooting a film in the San Lorenzo area, right where the freight yards were, the target of the bombing. Vittorio, on the other side of town, rushed to the site. Life would soon become extremely complicated and dangerous for those in the film industry.

Vittorio De Sica, along with other filmmakers and actors, does not want to be transferred to Venice, as has been mandated by the State. There, he would have to shoot propaganda movies for the Fascists. Luckily a Catholic film company wants to make a movie about a train of sick and deformed people on their way to seek miracles at the shrine of Our Lady of Loreto, a popular pilgrimage destination in the Marches region. The kind of train that carries pilgrims is called un treno bianco (a white train).

Our narrator describes what it was like working on the set of La porta del cielo (the Gates of Heaven): the extras, the dangers, the boredom, and the strategies for keeping the cast and crew safe. He also explains how they reconstructed the railway carriages that are featured so prominently in the film.

To recreate the environment of the San Loreto church, the Basilica of St Paul's Outside the Walls was used for the final scene of the film. The crew was accustomed to working in a non-religious setting where they could do as they liked, so it was a full-time job trying to keep their bad habits (such as smoking) in check so they wouldn't get kicked out by their hosts.