Oriana gets a chance to browse around in Alekos' studio before getting some sleep. The next day, she has to call the office and explain why she is still in Athens. Aleko shows up and has a surprise. He wants to enjoy his freedom, but has lots of work to do, too.

Alekos and Oriana have a romantic moment but he is always thinking about his battle against the government. Oriana has her own ideas about how to run a successful resistance.

Alekos is having a hard time convincing others of his ideas. Oriana is under pressure from her boss. There is a lot of tension.

Oriana is having to deal with some major changes in her life that will have a long-lasting effect on her.

After her miscarriage, Oriana goes to work in the Milan office, far from Panagulis. But then she gets some news about Greece that spurs her to action.

Elections are held, and Panagulis becomes a member of parliament. He then has to testify at an important trial for the crimes of the junta.

Alekos figures out how to obtain some important evidence against the government, and discusses things with Oriana on the way to the airport, where she'll take a flight back to Italy.

Oriana tells Lisa about finishing her book, Un uomo (a man), and promoting it, especially in non-democratic countries. She travels to Iran in 1979 to interview the new leader, Ayatollah Khomeini, and to talk to someone who wants to translate her book.

Despite huge obstacles, Oriana finally manages to interview Ayatollah Khomeini. The controversial encounter contributed to making Oriana Fallaci worldwide famous.

Lisa finally feels comfortable leaving Oriana at the hospital and goes back to the house to watch some interviews with the journalist.

Soon after the 9/11 attack on the Twin Towers in New York City, where Oriana happens to be living, she breaks her self-imposed silence and writes an article for the Milanese newspaper Corriere della Sera.

Back in Florence, Oriana has a conversation with her doctor about her condition. Lisa goes to see at her house her and tells her what she's been up to.

Lisa and Oriana spend some moments together for the last time. Lisa asks a final question and gets an answer that greatly affects both of them emotionally.

This documentary opens with some lines from a poem by Pier Paolo Pasolini, “10 giugno” from 1962. The famous filmmaker and poet talks about his life, beginning with his troubled relationship with his father.

Pasolini talks about his first book of poetry and what he realized about his country when it was published in 1942. He explains why reviewers wouldn't touch it.